(1922—1997)
Cornelius Castoriadis was an
important intellectual figure in France for many decades, beginning in the
late-1940s. Trained in philosophy, Castoriadis also worked as a practicing
economist and psychologist while authoring over twenty major works and numerous
articles spanning many traditional philosophical subjects, including politics,
economics, psychology, anthropology, and ontology. His oeuvre can be understood
broadly as a reflection on the concept of creativity and its implications in
various fields. Perhaps most importantly he warned of the dangerous political
and ethical consequences of a contemporary world that has lost sight of
autonomy, i.e. of the need to set limits or laws for oneself.
Influenced by his
understanding and criticism of traditional philosophical figures such as the
Ancient Greeks, German Idealists, Marx, and Heidegger, Castoriadis was also
influenced by thinkers as diverse as Sigmund Freud, Max Weber, Maurice
Merleau-Ponty, and Georg Cantor. He engaged in dynamic intellectual
relationships with his fellow members of Socialisme ou Barbarie (including
Claude Lefort and Jean-François Lyotard, among others) and later in life with
leading figures in mathematics, biology, and other fields. He is remembered
largely for his initial support for and subsequent break from Marxism, for his
call for Western thought to embrace the reality of creativity, and finally for
his defense of an ethics and politics based on “lucid” deliberation and social
and individual autonomy. For Castoriadis the central question of philosophy and
the source of philosophy’s importance is its capacity to break through
society’s closure and ask what the relevant questions for humans ought to be.
1.
Beginnings
a.
Youth in Greece and Arrival in France
Cornelius Castoriadis was
born to an ethnically Greek family living in Constantinople (Istanbul) in 1922.
The year was one of the most tumultuous in modern Greek history. Following the
First World War, lands granted to Greece at the expense of the Ottoman Empire
by the victorious Entente powers were being claimed militarily by Turkish
nationalists. As the defeat of the Greek army in the formerly Ottoman
territories seemed imminent, Castoriadis’s father relocated the family to
Athens, the home of Castoriadis’s mother, when Cornelius was a few months old.
As a result, Castoriadis spent his youth in Athens where he discovered
philosophy at the age of twelve or thirteen. He engaged in communist youth
activities while in high school and later studied economics, political science,
and law while resisting the Axis occupation of Greece during Second World War.
His Trotskyist opposition group distanced itself from the pro-Stalinist
opposition. During this time Castoriadis published his first academic writings
on Max Weber’s methodology and led seminars on philosophers including Kant and
Hegel. In 1945 he won and accepted a scholarship to write a philosophy
dissertation at the Sorbonne in Paris, thus starting a wholly new stage in his
life.
In Paris Castoriadis planned
to write his dissertation on the impossibility of a closed, rationalist
philosophical system. This plan took second stage, however, to his
critical-political activities. He became active in the French branch of the
Trotskyist party though he quickly criticized the group’s failure to take a
stronger stance against Stalin. By 1947 Castoriadis developed his own criticism
of the Soviets who, he argued, had only created a new brand of exploitation in
Russia, i.e. bureaucratic exploitation (Castoriadis Reader 3). Discovering he
shared similar views with recent acquaintance Claude Lefort, the two began to
distance themselves altogether from the Trotskyist goal of party rule.
Castoriadis began two major
vocations in 1948. First, he and Lefort co-founded the journal and political
group Socialisme ou Barbarie (Socialism or Barbarism). They focused on
criticizing both Soviet bureaucracy and capitalism and on developing ideas for
other possible organizations of society. The group’s founding statement
expressed an interest in a non-dogmatic yet still Marxist social critique. On
the one hand, the traditional questions Marx raised about workers and social
organization would remain important, while on the other hand any commitment to
specific Marxist positions would remain conditional. Despite internal dissent
and membership changes, the group remained partially intact from 1948 to 1966
with a peak involvement of a few dozen members and approximately 1,000 copies
produced per issue of the group’s journal. Castoriadis’s leadership and
writings helped establish him as an important figure in the
political-intellectual field in Paris.
Second, in 1948 Castoriadis
began working as an economist with the international Organization for European
Economic Cooperation (OEEC). He would remain there until 1970, analyzing the
short- and medium-term economic status of developed nations. His work with OEEC
not only allowed him an income and the possibility of remaining in France until
his eventual nationalization, but it also permitted him great insights into the
economies of capitalist countries and into the functioning of a major
bureaucratic organization. Following his employment with OEEC, Castoriadis
worked during the 1970s as a psychoanalyst. He finally received an academic
position at the École des Hautes Études en Sciences Sociales (EHESS) in Paris
in 1979. He remained with EHESS until his death following heart surgery in
1997.
b.
The Concept of Self-Management in the Early Writings
Reflecting on the Socialisme
ou Barbarie group, Castoriadis considered one of his and the journal’s most
important contributions to be the concept of workers’ self-management
(Castoriadis Reader 1-17). While in his later writings the concept would
develop into a theory of autonomy standing independently of the Marxist
framework, during the journal years the theory of self-management served as a
modification of or an alternative to Marx’s theory of class struggle.
In 1955’s “On the Content of
Socialism” (Castoriadis Reader 40-105) Castoriadis, writing under a pseudonym
in order to protect himself from deportation as an alien, defined the central
conflict of society not in terms of the classical dichotomy between owners and
workers but in terms of a conflict between directors and executants. (Notably,
this distinction coincides with Aristotle’s definitions of master and slave in
the Politics and with philosopher Simone Weil’s economic analysis from as early
as 1933). Contemporary society, he argued, is split between a stratum of managers
who direct workers, and a stratum of workers obedient to managers. Workers pass
real-world information up to the managers; but they must then carry out the
often nonsensical orders that are passed back down. For Castoriadis, in both
Western and so-called “communist” countries (i.e. countries Castoriadis would
have said embodied only a semblance of communism) managers are often uninformed
about subordinate tasks, know little about interrelated fields of work, and
nevertheless they still direct the immediate production process. Such a
managerial apparatus, argued Castoriadis, leads to inefficiency, waste, and
unnecessary conflict between aloof managers and servile workers.
The domination of society by
the managerial apparatus can only be surpassed, argued Castoriadis, when
workers take responsibility for organizing themselves. Workers must assume
effective management of their own work situation in “full knowledge of the
relevant facts.” This emphasis on the importance of knowledge implies that
individuals should work cooperatively. They should form workers councils
consisting of conditionally elected members. Those members, in a strict
reversal of the bureaucratic managerial model, should convene frequently not in
order to make decisions for workers but in order to express the decisions of
the workers. They should then convey important information back to the workers
for the purpose of helping workers make their own decisions. In this way, the
workers’ council is not a managerial stratum. Rather, it helps convey
information to workers for their purposes. While Castoriadis did support a
centralized institution, or assembly of councils, capable of making rapid
decisions when needed, such decisions, he argued, would be at all times
reversible by the workers and their councils.
In the end, Castoriadis
contrasted self-management with individualistic, negative libertarian, or
anarchic ideals, i.e. the ideals idolized in capitalist countries. Such
countries reject the role of workers councils but they then become heavily
bureaucratized anyway. Castoriadis also contrasted self-management with the
explicitly centralized, exploitative bureaucracies of the so-called communist
countries. In both cases what currently blocks the emergence of self-management
is the division between directors and executants. While some specialization of
labor will always be necessary, what is damaging today is specifically the
dominance of a class that is devoted only to the management of other people’s
work.
2.
The Break From Marxism
Like many anti-totalitarian
leftists, Castoriadis initially tried to divorce the bad features of
twentieth-century communism from the “true meaning” of Marxism. However, by the
mid- to late-1950s he came to argue that a profound critique of existing
communist countries also requires a critique of Marx’s philosophy. Capitalism,
Marxism, and the Soviet experiment were all based in a common set of
presuppositions.
Castoriadis’s analysis of
the institutional structure of the Soviet Union, collected later in La Société
Bureaucratique (Bureaucratic Society), suggested that the Soviet Union is
dominated by a militaristic, bureaucratic institution that Castoriadis called
total bureaucratic capitalism (TBC). This name implies that the principle of
the social order in the USSR is truly an analogue—albeit a more centralized
analogue—of the Western capitalist order, which Castoriadis called fragmented
bureaucratic capitalism (FBC) (Castoriadis Reader 218-238). Castoriadis then
argued that both TBC and FBC were rooted in a common “social imaginary.”
This social imaginary,
common to TBC and FBC, was expressed as a desire for rational mastery over self
and nature. Both capitalist thought and Marx assumed that capital has enormous,
even total power over humanity. This assumption led to an excessive desire on
both sides to control its supposed force. For this reason Marx’s followers
aimed to create a totalitarian bureaucratic system that could theoretically
gain “mastery over the master” (World in Fragments 32-43). Yet, according to
Castoriadis’s analysis, the exploitation found in Western society was not
solved by this system of control; it was instead rendered more total and
crushing. The managerial, bureaucratic class became a unified, oppressive force
in itself, pursuing its own interests against the people. Hence, Castoriadis
concluded that the eventual efforts of the communist countries to gain rational
mastery were not truly separable from Marx’s own, earlier philosophy. That
philosophy itself had emerged from the common social imaginary that FBC and TBC
share, namely the desire to gain total control of nature and history through
controlling capital.
Castoriadis also developed
more specific criticisms of Marx’s economic assumptions. Indeed, as early as
1959’s “Modern Capitalism and Revolution” (Political and Social Writings II
226-315) he attacked Marx’s method of treating workers as though they were cogs
in the machine of capitalism. Marx, he argued, failed to consider the
importance of the unplanned, contingent actions of the proletariat, actions
powerful enough to save a company from mismanagement or to lead it into
disaster. In other words, Marx’s analysis of capitalism was too deterministic.
The creative decisions of workers are not strictly subject to capital’s laws.
Rather, workers sustain or destroy capitalism itself through their own actions.
As such, workers’ actions—singularly and collectively—can lead to changes in
the very laws of the system.
As a result, Castoriadis
found that Marx’s view of history was based in flawed assumptions. The actions
of workers cannot be sufficiently explained by supposed laws of historical
dialectic. Workers themselves could determine the law of history rather than
being merely determined by history’s law. As such, the classical theory of capitalism’s
inevitable collapse into socialism and then communism could not be sustained.
While Castoriadis agreed with Marx (and praised Marx’s far-reaching analysis)
that the history of capitalism is ridden with crises and so-called
contradictions, he disagreed with Marx’s deduction of future historical
developments from out of those events. The outcome of a capitalist crisis is in
truth determined by how individuals and society take up those crises, not by
any necessary, internal self-development of capitalism “itself.”
From out of this engagement
with Marx, Castoriadis began to develop his own view of how autonomous society
could arise. Autonomous society, he argued, is a creation of the singular
individual and the collectivity. It cannot be sufficiently deduced or developed
from tendencies, potentialities, impossibilities, or necessities contained
within the current system. Whereas Marx interpreted the workers’ struggles for
autonomy as part of the rational self-development of capitalism itself, Castoriadis,
by contrast, emphasized the real contingency of the historical successes of
democratic-emancipatory struggles. These struggles had preceded capitalism,
were subdued within capitalism and the modern era of rational mastery, and are
still present but also largely subdued in the contemporary age of FBC and TBC
(World in Fragments 32-43). Castoriadis’s break with Marx is therefore his
break with the desire to gain mastery over the supposedly all-powerful forces
controlling humanity and history.
3.
Theoretical Developments
Between the end of
Socialisme ou Barbarie in 1966 and the publication of L’institution imaginaire
de la société (The Imaginary Institution of Society) in 1975 the tenor and
explicit subject matter of Castoriadis’s work changed noticeably. For the
remainder of his life he engaged with a broader variety of disciplines,
including psychoanalysis, biology, sociology, ecology, and mathematics. His
specific views in each field were almost always linked to his general theory of
the creative imagination—operating at both singular and collective levels—and
to its implications for each discipline. Philosophy’s role, he argued, is to
break through the closure of any instituted social imaginary in order to make
possible a deliberative attitude about what humans ought actively to institute,
i.e. about the very goals, ends, and capacities of society and individuals
themselves. In this sense, Castoriadis’ ontology of creation makes possible his
ethics and politics of autonomy (Section 4). In developing his theoretical concepts,
Castoriadis never worked in a vacuum, as he contributed to several intellectual
groups during this time, including the École Freudienne de Paris led by Jacques
Lacan, the journal Textures (primarily philosophical), and the journal Libre
(primarily political) with Claude Lefort.
a.
The Creative Imagination
While the first division of
L’institution imaginaire de la société offered a modified version of
Castoriadis’ critique of Marx, the second division contained his full-scale
theory of the creative imagination. He argued there that the imagination is not
primarily a capacity to create visual images. Rather, it is the singular or
collective capacity to create forms, i.e. the capacity to create the
presentation or self-presentation of being itself. The theory of the creative
imagination developed over many years through essays conversant with the
Western intellectual tradition. In this section I will present his views as a
dialogue with the figures to whom Castoriadis acknowledged a debt.
i.
Philosophical Background: Aristotle
In 1978’s “The Discovery of
the Imagination” (World in Fragments 213-245) Castoriadis distinguished what he
called the radical imagination from the “traditional” view of the imagination.
Aristotle’s traditional view, depicted in De Anima, treated the imagination as
a faculty generating an image that accompanies sensations but typically
distorts them. Since sensations themselves are always true according to
Aristotle, the extra imaginary capacity (primarily serving to reproduce what
the senses provided, to recombine past sensations into new images, or to
supplement sensation confusingly) was treated mainly as an obfuscator of truth.
Castoriadis argued that philosophy usually considered this account of
imagination to reveal its basic power. Regardless of whether they attacked or
praised it, philosophers tended to treat the imagination in this way as
something that creates a kind of fantastical non-reality.
Despite this picture of the
imagination as “negative,” Castoriadis argued that hidden deeper within the
philosophical tradition was a discovery of a primary imagination that is not
simply negative. Indeed, in De Anima 3.7-3.9 Aristotle argued that the primary
imagination is a “condition for all thought.” For Castoriadis, this claim implies
that there can be no grasp of reality without the primary imagination. It
should be interpreted, Castoriadis argued, as a capacity for the very
presentation of reality as such, a presentation required for any further
understanding. In this way, the primary imagination precedes any
re-presentation of reality.
Even so, Aristotle remained
an ambiguous figure for Castoriadis. He had raised difficult problems for any
account of imagination as strictly negative or re-presentational; but he also
failed to draw out the full consequences of his discovery of the primary
imagination. Most of his writings and most of traditional philosophy portray
the imagination as mainly reproductive, negative, or obfuscatory.
ii.
Philosophical Background: Kant
According to Castoriadis,
Immanuel Kant rediscovered the importance of the imagination and gave
philosophy a new awareness of its role (World in Fragments 246-272). In
Critique of Pure Reason, Kant had allowed that the imagination is the capacity
to present an object even without the presence of that object in sensible
intuition. As such, he freed the imagination from the traditional role of
merely following or accompanying the senses in an a posteriori function. For
Kant, the imagination was already involved in the initial presentation of
whatever may appear to the senses.
Like Aristotle, however,
Kant was an ambiguous figure for Castoriadis. While Kant was aware of the
imagination’s creativity and its vital role in presenting whatever can appear,
he was also too quick to re-subordinate the imagination to the task of offering
presentations that remain within the a priori, necessary, and stable structures
(i.e. the categories and pure forms of intuition) inherent in the knowing mind.
For example, while Kant allowed the imagination a role in a priori mathematical
construction in intuition, he allowed that it works in this way only within the
framework of the pre-established forms of intuitions themselves (that is,
within the pre-set structures of space and of time). In short, the imagination
remained bound to functioning in a pre-established field in Kant’s theoretical
work (Castoriadis Reader 319-337). The same tendency, argued Castoriadis, found
expression in Kant’s later work on the imagination in the Critique of Judgment
(Philosophy, Politics, Autonomy 81-123).
Nevertheless, Castoriadis in
some sense followed the Kantian view that an unknown X, other than the knowing
subject, can “occasion” imaginary presentations. Castoriadis preferred,
however, to invoke Fichte’s term Anstoß (shock) for the “encounter” with
whatever occasions imaginary activity. With this shock, the imagination goes
into operation generates a presentation for itself. It thereby brings something
“other” into a relation with itself, forming the presentation of the other as
what it is. While Fichte had suggested that the imagination in some sense gives
itself this shock, Castoriadis denied that the question of the internality or
externality of the shock was decidable. Thus he maintained that the imagination
forms either itself or another something into a presentation by “leaning on”
(Freud’s term is anaclasis) what is formable in whatever it forms. Something in
what the imagination forms thus lends itself to formation by the imagination.
While there can be no account of the nature of this formability without the
imagination’s actual formation of the formable X, Castoriadis argued that his
fact does not prove that there is nothing formable in itself, i.e. that there
is nothing at all apart from the imagination’s activity.
Finally, Castoriadis took
his Kant-inspired account even further. He argued that the imagination can in
some cases create a presentation of reality by starting without any shock
whatsoever. The imagination can create a presentation or form of reality
without any conditioning shock (Castoriadis Reader 323-6). Thus, while there
are inevitably some shocks for any psyche, the shock is not a necessary
condition for the operation of the imagination.
Castoriadis argued that Kant
had implicitly recognized the creativity of the imagination. Kant, however,
tried hard to chain down the imagination to stable structures of thought and
intuition. But Kant’s efforts in this direction merely indicated that he was
deeply aware of a creativity that is not necessarily stable or bound to an a
priori rule of operation. He recognized the primary imagination. Hence Kant,
like Aristotle, is an ambiguous friend for Castoriadis.
iii.
Philosophical Background: Post-Kantian Philosophy
Castoriadis’s response to
Kant’s philosophy, at least in its negative aspects, is not entirely dissimilar
to the responses given by post-Kantians such as the German Idealists,
Nietzsche, and Heidegger. However, it differs in that it does not involve the
monism implicit or explicit in modern idealism (Hegel) and materialism
(Nietzsche, Marx). Indeed, perhaps more than any other thinker since Kant, and
in opposition to the monistic tendencies of most of the post-Kantians,
Castoriadis embraced the inevitability of the encounter with an “other.” There is
no such thing as a singular substance existing radically alone; for each
substance interacts with others. While Castoriadis’s views do at times overlap
with the phenomenological tradition, his theory of radical creativity puts him
at odds with the Heideggerian tradition. Castoriadis also diverged from the
twentieth century “turn to language” in analytic philosophy (though he did
develop a theory of signification in The Imaginary Institution of Society).
More broadly, in contrast to prevalent cultural relativism of the twentieth
century West, he instead expressed an absolute support for the project of moral
and political autonomy (Section 4).
What is perhaps most vital
for understanding Castoriadis’s creative imagination—what makes his project
unique in contemporary philosophy—is that his analysis of creativity is not
supposed to entail, by itself, a normative claim. Castoriadis does not assign a
positive value to creativity as such. In fact, Castoriadis explicitly rejected
the positive valuation of “the new for the sake of the new” (Post-Script on
Insignificance 93-107). The endless search for the next thing or the newest
idea in contemporary thought leads to a lack of understanding of the already
established norms, and therefore to an unconscious redeployment of those norms.
Even so, the radical creativity of the imagination does, in a different way,
lead to value-theoretic considerations and, in particular, to a kind of
politics. While value cannot be derived from being or creation, the very fact
that being is creation leads to another question: What ought we create (or
re-create), institute (or perpetuate), or set for ourselves as a project? How
can we provide limits and institutions for ourselves so that we may effectively
achieve and call into question what we understand to be good? As such,
Castoriadis’s radical imagination might be said to “clear the way” for his
politics and ethics (Section 4).
iv.
Creation ex Nihilo
As the above dialogue with
the philosophical tradition has already suggested, Castoriadis argued that
being is creation. He described creation as an emergence of newness that,
whether deliberate or unconscious, is itself not sufficiently determined by
preceding historical conditions. He thus described creation as ex nihilo, or as
stemming from nothing. Even so, he also insisted that creation is neither in
nihilo nor cum nihilo (Castoriadis Reader 321, 404). In other words, while
creation must be understood to emerge out of nothing, this creation always
emerges within a set of historical or natural conditions. However, these
conditions are not sufficient to account for the being of the new creation.
Thus, even if there were (per impossible) a complete and exhaustive account of
the conditions contextualizing any occasion of creation, neither the existence
nor the specificity of the new creation could be fully understood as derived
from those conditions. For example, we miss the radical, historical newness of
the Greek social creation of “democracy” if we attempt to explain it simply in
terms of what already existed in Athens at the time. The creation of democracy
broke through the conditioning constraints of the existing social state of
affairs. In this sense, Greek democracy was radically new.
Castoriadis repeatedly
contrasted ex nihilo creation with production or deduction of consequences.
First, production entails that a set of elements or materials is given, which
givens are then molded or modified into a new product. Even notions of self-differentiation
are really just notions of productivity in this sense, for they envision the
new creation (call it X-prime) as emerging from the original X merely as a
self-modification of that original X. Thus, the new “product” is treated not as
an original itself but rather as a modified “version” of an original. This is
not what Castoriadis means by a new creation. Second, in the case of deduction,
he argued that a deductive theory of newness would mean only that there is some
new conclusion that follows sufficiently from a set of factors as a result of
there being a determinate rule or law of the deduction process itself (laws of
inference, and so forth). Yet such deduction does not create or reveal
something new qua new; rather, it involves an inference from premises to
something different that is supposed to already exist because its existence
follows from the premises. Thus, he argued, both production and deduction are
beholden to theories of “difference” that really only explain the new as a
derivative, a modified sameness, or an already-existing thing. Castoriadis
contrasted these concepts sharply with creation ex nihilo.
Importantly, Castoriadis’s
notion of creation is not equivalent to the epistemic notion of
unpredictability, as he clarified in 1983’s “Time and Creation” (World in
Fragments 374-401). A continuous emergence of something out of something else
can still be fully unpredictable. Unpredictability might, for example, mean
simply that not all of the relevant producers, factors, or laws of inference
are known or knowable: An unpredictable event or phenomenon could still be
determined by unknown factors. Unpredictability could be a function of the
limitations of knowledge. Thus unpredictability is not equivalent to creation.
While Castoriadis agreed that knowers are not, as far as we know, omniscient,
he argued that with each creation there emerges something ontologically new,
something that is not merely seemingly new “for us” due to some subjective lack
of knowledge. Separating radical creation from the merely epistemic notion of
unpredictability, Castoriadis defends the notion that creation brings about
something genuinely new.
Further, Castoriadis argued
that creation does not prevent deterministic accounts from, so to speak,
sticking. Creation cannot be simply opposed to determinism; rather creation
only excludes the idea that there could be a total inclusion of the various
strata of beings (and creations) within “a single ultimate and elementary
level” of determination (World in Fragments 393). Thus, Castoriadis did not
deny that creations lend themselves to being understood in terms of continuous
difference (production, deduction) or determination. Rather, a stratum of
explicable difference always emerges as a result of the relationship of a
creation to those conditions in and with (but not from) which it occurs. For
example, while Greek democracy was a radically new social creation in history,
this creation also at once re-instituted many of the conditions with and in
which it emerged. Thus, resultant continuities and (mere) differences are
evident between Greek democracy and the world existing prior to its emergence.
This stratum of continuity and (mere) difference is somewhat explicable in
terms of what is producible or deducible from already existing conditions or
elements; but democracy is also something wholly original, something lacking
complete continuity with what precedes.
Finally, Castoriadis’s
terminology of the ex nihilo should not be confused with the theological sense
of creation ex nihilo. Theological creation, he argued, is usually treated as
“production” by God according to ideas or pre-existing potentialities, such as
the nature or mind of God (Fenêtre sur le Chaos 160-164). A God who looks to
ideas that always exist, whether those ideas are God’s own (Augustine) or
eternal models not identical to god (Plato), is not thought of as genuinely
creative in Castoriadis’s sense. Further, theology usually says the world’s
creation is a completed affair. It might play itself out in interesting ways;
but this “playing out” does not include the possibility of any radical newness.
Thus, traditional solutions to the theodicy problem—whether they involve a God
who continually creates the world according to general laws (Malebranche) or a
God who creates pre-packaged monads (Leibniz)—always posit that God has a plan
established in advance when he creates the world “once and for all.” At its
most extreme point, therefore, theological creation is in fact coincident with
the most radical necessitarianism (Spinoza). They both deny the radically new.
Thus, Castoriadis joked that “spiritualists are the worst materialists”
(Fenêtre sur le Chaos 161).
b.
Related Theoretical Concepts
i.
The Monad and the Social-Historical
In addition to the influence
of philosophers, Castoriadis’s account of the imagination was most deeply
influenced by his reading of Freud and his engagement with psychoanalysis. This
interest became more marked during the years following the end of Socialisme ou
Barbarie. At that time he became involved with the L’Ecole Freudienne de Paris
(EFP) of Jacques Lacan and was also married for a time to psychoanalyst Piera
Aulagnier.
In his interpretation of
Freud, Castoriadis focused on the concept of Vorstellungen (representations),
especially in the writings from 1915 (World in Fragments 253). He believed
Freud’s search for the origins of representations led him closer to the idea of
the primary imagination (Section 3.a.1) than did his explorations of the more
famous concept of Phantasie (imagination). Castoriadis argued that Freud’s
investigations led (implicitly but not explicitly) to the conclusion that for
the human psyche there is no strictly mechanical apparatus converting bodily
drives into psychical representations. In Castoriadis’s view Vorstellungen are
created originally and cannot be accounted for strictly in terms of physical
drives or states. Rather, there is an irreducible source of representations,
which Castoriadis came to call the monad or the “monadic pole of the psyche.”
Castoriadis’s invocation of
the term monad stems, first of all, from the Greek term for unity or aloneness.
The term was most famously re-employed by Leibniz to describe the simple,
invisible, and sole kind of metaphysical constituent of reality. Leibniz argued
that nothing enters or leaves a monad, and yet monads have seemingly
interactive experiences due to their pre-established coordination, created by
God (i.e. the best possible world). For Leibniz, each monad reflects the state
of the other monads and harmonizes with them while remaining independent.
Invoking Leibniz’s metaphysics, Castoriadis retained the term but gave it a
different sense and value. The monad, for Castoriadis, is not the sole kind of
metaphysical constituent but neither is it unreal; rather, the monad is that
aspect of the psyche that is incapable of accepting that it itself is not the
sole kind of metaphysical constituent. As such, no monad actually remains
entirely immanent to itself. All monads are inevitably fractured when the psyche
encounters a radical otherness. Following the fragmentation the remnants of the
monad desire to recover themselves into a now-impossible state of total
aloneness. This “monadical” desire for aloneness has two effects. On the one
hand, the monad’s desire for total self-enclosure leads the psyche to disregard
the non-psychical sources of human function. The psyche begins to hate and
despise the body, sometimes detrimentally. On the other hand, the monad’s
desire for unity is not simply a negative thing since it leads the psyche to
find unique ways to individuate itself. This individuation often occurs through
the psyche’s adoption of social norms and identities. Adoption of norms or
identities is not necessarily a bad thing, especially insofar as it can bring a
certain measure of stability to the psyche. Castoriadis’s main point was rather
that while the monadic pole of the psyche always tends toward radical
aloneness, the broader psyche—of which the monad is only an aspect—is in fact
capable of socialization, of adopting shared identities, and of having
productive relations to others. The monadic pole, however, always fights
against subsumption into social or physical norms or identities.
Ultimately Castoriadis felt
a need to account for the monadic aspect of the psyche due to his experiences
as an analyst interacting with patients. The monad, he suggests, is a necessary
hypothesis we must posit if we are to describe the observable history of the
patient subsequent to his or her fragmentation (Figures of the Thinkable 168).
What follows fragmentation is a phase of life in which the psyche creates
itself in relation to a specific social-historical situation and the collective
conditions it faces. These collective conditions, or institutions, essentially
“fabricate” the individual from out of the psyche as the psyche adopts them
into its own identity.
For this reason
Castoriadis’s psychoanalytic work leads directly into his political philosophy.
For in the same way that psychical creativity as such is broader than, and
precedes, the social-historical individuation of the psyche, so too is there a
ground of any social formation. This ground, irreducible to individual psychic
creativity, Castoriadis calls the anonymous collective. This trans-individual
creativity yields as its effects the imaginary formations falling into our
typical, narrower categories of “culture” or “society.” A psyche always forms
itself through these instituted social offerings; but the social instituting
power itself is what accounts in the first place for this instituted state of
affairs. The instituted can always be rewritten by the instituting power, and
thus a truly autonomous society explicitly acknowledges this instituting power
and seeks lucidly to share in it
In this sense, Castoriadis
insisted that various strata of creativity—for example, the psyche and the
anonymous collective—are irreducible to each other and yet they are importantly
interactive. He thus understood that psychoanalysis has a broader social role
than is typically believed. In particular it can help the psyche break
consciously and lucidly with the monadical desire for total self-enclosure.
Castoriadis felt this task could help bring about a world where the singular
psyche and the collectivity begin to acknowledge the duty to share in the
deliberative activities of distinctively autonomous self-creation (Section 4).
ii.
The Living Being and Its Proper World
In addition to his
reflection on social and individual human creativity, Castoriadis’s view of “being
as creation” led him to develop theories about non-human living beings. In “The
State of the Subject Today” (World in Fragments 137-171) he considered in turn
the living being, the psyche, the social individual, and finally human society,
arguing that each is a distinct but interactive “stratum” of being. While a
living being (for example, a human) is conditioned by its interaction with and
dependency on other living beings such as cells, nevertheless no stratum of
living beings (such as humanity) is reducible to any other stratum. Human life
cannot be conceived accurately as merely an “expression” of cell life, for
example. Each stratum involves a unique, original kind of living being, or
“being for itself,” which leans on but is by no means determined by the other
strata with which it interacts.
Beginning at the cellular
level then, Castoriadis described the living being as creative of its own
proper world as it leans on other beings and worlds which lend themselves.
Castoriadis suggested, for example, that an individual dog is a participant in
the species dog, in the sense that this dog creates for itself a world in
common with other dogs. Nevertheless, while the “proper worlds” of the cells of
this dog (or of other beings in its environment) are a condition of this dog
and of this dog’s creation of a proper world shared with other dogs, these
cells are not something out of which this dog sufficiently emerges or with
which this dog’s life is always entirely consistent. Dog cells do not determine
the proper world of a dog although they are conditions leaned upon by this dog
as it creates its own proper world. While dog-life thus depends on cell-life,
the stratum of life proper to dogs is a creation of dogs as they live with
their conditioning cells. And, of course, cell life is also creative of a
proper world for itself, i.e. a world only partially analogical with the life
of the dog. As a result, each stratum of life is unique yet interactive.
On this level, Castoriadis
conversed with Chilean biologist and proponent of the theory of autopoiesis
Francisco Varela (for example, see “Life and Creation” in Post-Script on
Insignificance). For Varela, and also for Humberto Maturana, auto-creation
means that each living being creates for itself a world of closure. The living
being is essentially dependent upon the living beings which condition it.
Higher beings are expressions of the potentialities inherent in the lower
constituents. Castoriadis followed Varela with respect to the self-creation of
the living being and its proper world, arguing that nothing enters into the
proper world of a living being without being transformed by it. However, for
Castoriadis, auto-creation did not have to entail a kind of organizational
closure. Some living beings are both radically creative of new, irreducible
strata of life and merely lean on others for their creations; they are not
simply expressions of those other strata. The creativity of a dog, for example,
is thus irreducible to being the expression of the constituents of itself (e.g.
cells) or the expression of its environment. Even the most basic stratum of
natural life (which Castoriadis called the “first natural stratum”) is merely a
condition for the emergence of other living beings; it is not something that
decides, determines, or produces what those other strata are.
Thus, Castoriadis did not
treat the creativity of the living being as simply a larger or smaller scale
version of other living beings. The human creation of a proper world, for
example, creatively breaks out of a closure relative to its supporting conditions
(internal or environmental) and breaks continuity even with itself at times.
Humans create a new stratum of being irreducible to the others. We are always
intra- and inter-active with other strata; but the human psyche creates in ways
that are not contained potentially in anterior states of other living beings or
in its inherited conditions. Humans create a new, common, distinct stratum of
life. Thus, Castoriadis argued from a biological standpoint that it is quite
possible to affirm truly that “everything is interactive.” Yet he insisted that
we cannot for that reason “simply say that everything interacts with everything
[…]” (Post-Script on Insignificance 67). All of what is proper to the human
world interacts with some other strata, but only some of what is proper to the
human world shares something in common with all other strata.
iii.
Magmas and Ensembles
Castoriadis’s project has
many aspects that allow it to be interpreted as a “theory of being” in the
traditional sense. He developed two important theoretical concepts that
underpin much of his ontological work beginning in the 1970s: magmas and
ensembles. The former term was Castoriadis’s preferred name for indeterminate,
or mixed, being. The latter, the French term for “sets,” is his term for determinate
being (where being refers to either the singular or plural).
Castoriadis faced his
greatest difficulties in describing magmas since he argued magmas exist and yet
they are not comprehensible by traditional ontology because traditional
ontology thinks that true being is strictly determinate. Traditional ontology
says that what is indeterminate (Greek apeiron) is a more or less deficient
being or a kind of non-being. That is, indeterminate being is at best conceived
as existing only insofar as it is related to determinate being (Greek peras).
Castoriadis’s task was to envision indeterminate being without thinking of it
as merely existing relative to, or as a negation of, determinate being. As
such, Castoriadis made a very cautious effort to “define” magmas (although he
did not consider his task to be possible in this definitional form) in a way
that did not define them as deficient modes of determinate being. In the 1983
text, “The Logic of Magmas and the Question of Autonomy” (Castoriadis Reader
290-318), he suggested several propositions:
M1: If M is a magma, one can
mark, in M, an indefinite number of ensembles.
M2: If M is a magma, one can
mark, in M, magmas other than M.
M3: If M is a magma, M
cannot be partitioned into magmas.
M4: If M is a magma, every
decomposition of M into ensembles leaves a magma as residue.
M5: What is not a magma is
an ensemble or is nothing.
Here the central problem in
thinking about magmas is the way that they appear as a great nexus wherein any
magma is inseparable from any other magma. Magmas are thus something like
mixtures of beings that involve no totally separate or discrete elements. Even
so, other magmas, different from any particular magma that is being researched,
can be “indicated” as existing within the magma being researched. For this
reason, magmas are also not simply one sole entity. Yet they have no parts and
always resist being confined to sets. In short, magmas are inherently
indeterminate; while they are determinable in some ways, they are never wholly
determinate.
As for his account of
ensembles, or determinate being, Castoriadis argued that all traditional
ontology—including Platonic forms, Aristotelian substance, Kantian categories,
the Hegelian absolute, for example—assumes that being is essentially
determinate. Such an ontology is, in Castoriadis’s terms, an
ensemblist-identitarian, or ensidic, ontology. These ontologies always rely on
certain operators of thinking, including traditional logical and mathematical
principles such as the principle of identity, non-contradiction, the excluded
third, and so forth. They assume that being consists of entirely discrete or
separate elements neatly conforming to these principles. Ensidic thought
therefore cannot grasp the notion that there would be anything genuinely other
than determinate being.
As an example of ensidic
thought, Castoriadis referred to set theory and its development. Cantor’s naïve
set theory described a set as “any collection into a whole M of definite and
separate objects m of our intuition or our thought.” He thus expressed
explicitly what all later (non-naive or axiomatic) versions of set theory would
maintain implicitly: the assumption that being is wholly determinate or
consists of wholly determinate elements. When Cantor’s original set theory was
shown to lead to paradoxes (such as Russell’s paradox), later axiomatic set
theory did not call into question Cantor’s core pre-assumption that all being
is determinate. Instead, it attempted to salvage Cantor’s determinacy
assumption by wagering on being’s “conformability” to the determinacy
assumption, all while searching for better ways to make that assumption
consistent. Axiomatic set theory thus unquestioningly accepted Cantor’s
original presupposition, even as it attempted to salvage set theory through
axiomatics. Thus, set theory is a paradigmatic case of ensidic thought. Yet it
is not unique in its assumption that being must be determinate. Everyday
language, for example, already implicitly posits the separation and
distinctness of beings. Set-theoretical ontology just re-confirms this bias of
everyday language when it presumes that all being is determinate.
The problem with the
assumption that all being must be determinate, or ensidic, Castoriadis argued,
is not that there is in truth no stratum of determinate being whatsoever.
Rather, there is such a stratum of wholly determinate being. The problem is
that while this stratum is a condition for the emergence of other beings, it is
merely a condition and not the sole constitutive principle of the other strata
of being. The assumption that all being must be determinate leads ensidic logic
to present some stratum of being (the first natural stratum of sheer
determinacy) as if it were solely constitutive of each and every stratum of
being (or each and every being). As such, a wholly ensidic ontology wrongly
assumes that this de facto condition of determinacy is itself universally
constitutive in principle of all possible beings. It falsely assumes that other
strata simply conform to the ensidic strata (or stratum) of being. In reality,
ensidic thought itself posits this stratum of being as primary, without the
attendant awareness that this hypothesis is a hypothesis. Thus, traditional
ontology, like everyday language, gravely mistakes the ensidic stratum itself
for what being must be.
4.
The Project of Autonomy
For Castoriadis, the psyche
of each human is inevitably fragmented and cannot remain in a strictly monadic
state. Further, as the ground of social-historical constellations of meaning, the
creativity of the anonymous collective—i.e. the social instituting power—is
irreducible to individual psychic creativity (Section 3.b.i). Thus, the
question of genuine politics arises necessarily for humans because humans must
create themselves as they exist in relation to others and in relation to
society’s institutions (which often mediate relations with others). Therefore,
the question of true political action is intimately linked to the question of
which institutions we shall institute, internalize, and lean on in our
creations. Hence, we must engage in lucid deliberation about what is good for
humans and about which institutions help us achieve the good. This lucid
deliberation separates genuine politics from demagoguery or cynical politics.
Importantly, genuine
deliberation does not merely concern the means to achieving a goal we assume we
already know (as Aristotle had supposed in Ethics that our goal of “happiness”
is a given and we only need to deliberate about the means to happiness).
Rather, we must deliberate about the ends themselves as well as the means. As
such, political existence can never arrive at a total, final conclusion. Since
no set model of action is given to us (for example, politics cannot be modeled
on what is natural or ecological, in accordance with evolution, and so forth),
genuine politics cannot assume that any given condition or state of life
determines which laws it should lay down for itself and which practices it
should support or sanction. Rather, for Castoriadis, genuine politics is a way
of life in which humans give the laws to themselves as they constantly
re-engage in deliberation about what is good. In short, genuine politics
coincides with the question, and the ability of individuals and society to pose
the question, What is a good society? Societies and individuals who can
genuinely pose this question are capable of autonomy, transcending the closure
of the traditions and social conditioning in which they emerge. This capacity
for autonomy depends not only on the individuals and society who actually give
limits and laws to themselves, but also on those institutions on which
individuals and society lean when creating those laws.
Heteronomy and Autonomy
In 1989’s “Done and To Be
Done,” (Castoriadis Reader 361-417) Castoriadis restated some of the political
arguments he had developed since his tenure with Socialisme ou Barbarie. He
argued that the problem of traditions covering over the reality of creation
(Section 3) is not merely a theoretical error; it also immediately coincides
with closure in political and moral reality. All societies are self-creative
and yet most, he argued, are utterly incapable of calling into question their
own established norms. In such societies, the instituted situation immediately
coincides without remainder with what is good and valid in the minds of the
people. Such a society, which does not or cannot question its own norms or
considers its norms to be given by God, gods, nature, history, ancestors, and
so forth, is heteronomous in opposition to autonomous societies.
Castoriadis argued that
heteronomy results when nature, essence, or existence are understood to produce
the law for the creative living being, for individuals, or for society. On the
one hand, Castoriadis’s definition of heteronomy was not limited to, nor did it
target, religious beliefs in any special sense. Castoriadis’s examples were at
times examples of religious beliefs and at other times examples of closed, but
not necessarily religious, societies. In this way, the distinction cuts across
any supposed divide between sacred and secular, such that even the most
seemingly enlightened and anti-religious materialism could be a dominant
instituted imaginary in a largely heteronomous society. In such a society,
humans are continuously regenerated in a systematic state of closure. The
necessary condition for the project of autonomy is, thus, the breaking of such
instituted radical closure, i.e. the rupture of heteronomy.
On the other hand, what is
essential for Castoriadis’s positive account of autonomy is that there is no
law of nature that is pre-set for the human. That is, there is no substance or
rule determining what a human qua human must be or can be. However, this is not
to say that the human is nothing at all: The creativity of the human means that
humans “cannot not posit norms” (Castoriadis Reader 375). As such, humans can
always pose and repose the question of norms and of what they are to be; we can
always in principle break away from a heteronomous condition. The radical
creativity of the psyche and collectivity is never obliterated by a society or
a set of social institutions, even if autonomy is de facto absent.
Nevertheless, it is possible for heteronomous societies and individuals to
largely cover over this creativity of the human, to institute norms that
cannot, in a de facto sense, be called into question.
As a result, Castoriadis did
not identify creation (or self-creation) with the moral and political project
of autonomy. Rather, even heteronomous societies create themselves and are
self-constituting. Autonomy exists only when we create “the institutions which,
by being internalized by individuals, must facilitate their accession to their
individual autonomy and their effective participation in all forms of explicit
power existing in society” (Castoriadis Reader 405). Autonomy thus means not
only that tradition can be questioned—i.e. that the question of the good can be
posed—but also that we continue to make it de facto possible for ourselves to
continue to ask, What is good? The latter requires that we establish
institutional supports for autonomy.
For Castoriadis there is
therefore an exigency to embrace autonomy in a sense not limited to the liberal
ideal of non-coercive, negative freedom wherein coercion as such is depicted as
evil (albeit, a necessary evil). Castoriadis argued that the object of genuine
politics is to build a people who are capable of positive self-limitation. This
self-limitation is not limited to weak suggestiveness; rather, autonomy “can be
more than and different from mere exhortation if it is embodied in the creation
of free and responsible individuals” (Castoriadis Reader 405). Castoriadis
argued, against the liberal ideal, that the elimination of coercion cannot be a
sufficient political goal, even if it is often a good thing. Rather, autonomous
societies go beyond the negative-liberty project of un-limiting people.
Autonomous communities create ways of explicitly, lucidly, and deliberately
limiting themselves by establishing institutions through which individuals form
their own laws for themselves and will therefore be formed as critical,
self-critical, and autonomous. Only such institutions can make autonomy
“effective” in a de facto way.
Finally, in defining what he
meant by “effective” autonomy, Castoriadis distinguished his view of autonomy
from Kant’s. In the Kantian perspective, he argued, the possibility of autonomy
involves the possibility of acting freely in accordance with the universal law,
itself established once and for all, apart from the influence of any other
heteronomous incentives. Castoriadis argued that Kantianism treats autonomy
itself as a goal or as something that we want simply for itself. Echoing Hegel,
Castoriadis argued that Kantian autonomy ends up as a purely formal issue or a
desire for autonomy for itself alone. Castoriadis, like Kant, did not deny the
importance of the pursuit of autonomy for itself, with the full knowledge that
the law of one’s action is not given from elsewhere. However, he added that we
do not desire autonomy only for itself but also in order to be able to make, to
do, and to institute. The formal, Kantian autonomy must also be made factual.
“The task of philosophy,” he argued, “is not only to raise the question quid
juris; that is just the beginning. Its task is to elucidate how right becomes
fact and fact right—which is the condition for its existence, and is itself one
of the first manifestations thereof” (Castoriadis Reader 404). As such,
effective autonomy means that the will for autonomy itself as an “end” must
also be a will for the de facto “means” to autonomy, namely the will to
establish the institutions on which autonomy leans.
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