Sunday, April 24, 2011

Eyes Cannot See Him...

Eye cannot see him, nor words reveal him;
by the senses, austerity, or works he is not known.
When the mind is cleansed by the grace of wisdom, he is seen by contemplation--the One without parts.
Mundaka Upanishad

Sunday, April 17, 2011

The PhilosophyTweet Anti-Library

Taleb's The Black Swan: "Read books are far less valuable than unread ones." (He attributes the "anti-library" to Umberto Eco.


The writer Umberto Eco belongs to that small class of scholars who are encyclopedic, insightful, and non dull. He is the owner of a large personal library (containing thirty thousand books), and separates visitors into two categories: those who react with 'Wow! Signore professore dottore Eco, what a library you have! How many of these books have you read?' and the others - a very small minority - who get the point that a private library is not an ego-boosting appendage but a research tool. Read books are far less valuable than unread ones. The library should contain as much of what you do not know as your financial means, mortgage rates, and the currently tight read-estate market allows you to put there. You will accumulate more knowledge and more books as you grow older, and the growing number of unread books on the shelves will look at you menacingly. Indeed, the more you know, the larger the rows of unread books. Let us call this collection of unread books an antilibrary.

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Sunday, April 10, 2011

Correlates of The Law of Identity

The Principle of Excluded Middle, along with its complement, the Law of Contradiction, are correlates of the Law of Identity; the first principle of thought (reason). Because the principle of identity intellectually partitions the Universe into exactly two parts: ‘self’ and ‘other, it creates a dichotomy wherein the two parts are ‘mutually exclusive’ and ‘jointly exhaustive’. The principle of contradiction is merely an expression of the mutually exclusive aspect of that dichotomy, and the principle of excluded middle is an expression of its jointly exhaustive aspect.

Ataraxia

Ataraxia was synonymous with the only true happiness possible for a person. It signifies the state of robust tranquility that derives from eschewing faith in an afterlife, not fearing the gods because they are distant and unconcerned with us, avoiding politics and vexatious people, surrounding oneself with trustworthy and affectionate friends and, most importantly, being an affectionate, virtuous person, worthy of trust.

Tuesday, March 15, 2011

Philistinism

Vladimir Nabokov associated with philistinism the prudish attitude of accusing works of art to be obscene, and described a philistine as a "full-grown person ... whose essential nature is anti-artistic," and whose mentality is formed of the stock ideas and conventional ideas of his or her group and time", adding that "generally speaking, philistinism presupposes a certain advanced state of civilization where throughout the ages certain traditions have accumulated in a heap and have started to stink".

Philistinism is a derogatory term used to describe a particular attitude or set of values. A person called a Philistine (in the relevant sense) is said to despise or undervalue art, beauty, intellectual content, or spiritual values. Philistines are also said to be materialistic, to favor conventional social values unthinkingly, and to favor forms of art that have a cheap and easy appeal (e.g. kitsch).

Goethe had several comments on the type. "The Philistine not only ignores all conditions of life which are not his own but also demands that the rest of mankind should fashion its mode of existence after his own", and "What is a philistine? A hollow gut, full of fear and hope that God will have mercy!"

Philistinism affords a contrast to Bohemianism, as the character of a smugly conventional bourgeois social group perceived to lack all the desirably soulful 'bohemian' characteristics, especially an artistic temperament and a broad cultural horizon open to the avant-garde. The 'Philistines' embodied a smug, anti-intellectual threatening majority, in the 'culture wars' of the 19th century.

Wednesday, March 2, 2011

Emerson

Ralph Waldo Emerson (May 25, 1803 – April 27, 1882) was an American lecturer, philosopher, essayist, and poet, best remembered for leading the Transcendentalist movement of the mid-19th century. He was seen as a champion of individualism and a prescient critic of the countervailing pressures of society, and he disseminated his thoughts through dozens of published essays and more than 1,500 public lectures across the United States.

Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of Transcendentalism in his 1836 essay, Nature. Following this ground-breaking work, he gave a speech entitled The American Scholar in 1837, which Oliver Wendell Holmes, Sr. considered to be America's "Intellectual Declaration of Independence". Considered one of the great lecturers of the time, Emerson had an enthusiasm and respect for his audience that enraptured crowds.

Emerson wrote most of his important essays as lectures first, then revised them for print. His first two collections of essays – Essays: First Series and Essays: Second Series, published respectively in 1841 and 1844 – represent the core of his thinking, and include such well-known essays as Self-Reliance, The Over-Soul, Circles, The Poet and Experience. Together with Nature, these essays made the decade from the mid-1830s to the mid-1840s Emerson's most fertile period.

Emerson wrote on a number of subjects, never espousing fixed philosophical tenets, but developing certain ideas such as individuality, freedom, the ability for man to realize almost anything, and the relationship between the soul and the surrounding world. Emerson's "nature" was more philosophical than naturalistic; "Philosophically considered, the universe is composed of Nature and the Soul."

While his writing style can be seen as somewhat impenetrable, and was thought so even in his own time, Emerson's essays remain one of the linchpins of American thinking, and Emerson's work has influenced nearly every generation of thinker, writer and poet since his time. When asked to sum up his work, he said his central doctrine was "the infinitude of the private man."[

Thursday, January 27, 2011

Machiavelli

Niccolò di Bernardo dei Machiavelli (3 May 1469 – 21 June 1527) was an Italian philosopher, humanist, and writer based in Florence during the Renaissance. He is one of the main founders of modern political science.[1] He was a diplomat, political philosopher, playwright, and a civil servant of the Florentine Republic. He also wrote comedies, carnival songs, poetry, and some of the most well-known personal correspondence in the Italian language. His position in the regime of Florence as Secretary to the Second Chancery of the Republic of Florence lasted from 1498 to 1512, the period in which the de' Medici were not in power. The period when most of his well-known writing was done was after this, when they recovered power, and Machiavelli was removed from all functions.

The Prince
Main article: The Prince


Lorenzo di Piero de' Medici to whom the final version of the Prince was dedicated.
Niccolò Machiavelli’s best-known book concentrates on the possibility of a "new prince", rather than the more traditional subject of a hereditary prince. To retain power, the hereditary prince must carefully maintain the socio-political institutions to which the people are accustomed; whereas a new prince has the more difficult task in ruling, since he must first stabilize his new-found power in order to build an enduring political structure. That requires the prince being concerned with reputation but also being willing to act immorally. As a political scientist, Machiavelli emphasises the occasional need for the methodical exercise of brute force, deceit, and so on.

Notwithstanding some mitigating themes, the Catholic Church proscribed The Prince, registering it to the Index Librorum Prohibitorum, and humanists also viewed the book negatively, among them, Erasmus of Rotterdam. As a treatise, its primary intellectual contribution to the history of political thought is the fundamental break between political Realism and political Idealism — thus, The Prince is a manual to acquiring and keeping political power. In contrast with Plato and Aristotle, Machiavelli insisted that an imaginary ideal society is not the model for a prince to orient himself by.

Concerning the differences and similarities in Machiavelli's advice to ruthless and tyrannical princes in The Prince and his more republican exhortations in Discourses on Livy, many have concluded that The Prince although written in the form of advice for a monarchical prince, contains arguments for the superiority of republican regimes, similar to those found in the Discourses. In the 18th century the work was even called a satire, for example by Jean-Jacques Rousseau. More recently, commentators such as Leo Strauss and Harvey Mansfield have agreed that the Prince can be read as having a deliberate comical irony. Other commentators have not seen the irony as deliberate comedy, but most commentators agree that the Prince is republican to some extent.

Antonio Gramsci argued that Machiavelli's audience for this work was not even the ruling class but the common people because the rulers already knew these methods through their education.