Ludwig Wittgenstein , one of the most influential philosophers of the 20th century

Ludwig Wittgenstein is one of the most influential philosophers of the twentieth century, and regarded by some as the most important since Immanuel Kant. His early work was influenced by that of Arthur Schopenhauer and, especially, by his teacher Bertrand Russell and by Gottlob Frege, who became something of a friend. This work culminated in the Tractatus Logico-Philosophicus, the only philosophy book that Wittgenstein published during his lifetime. It claimed to solve all the major problems of philosophy and was held in especially high esteem by the anti-metaphysical logical positivists. The Tractatus is based on the idea that philosophical problems arise from misunderstandings of the logic of language, and it tries to show what this logic is. Wittgenstein's later work, principally his Philosophical Investigations, shares this concern with logic and language, but takes a different, less technical, approach to philosophical problems. This book helped to inspire so-called ordinary language philosophy. This style of doing philosophy has fallen somewhat out of favor, but Wittgenstein's work on rule-following and private language is still considered important, and his later philosophy is influential in a growing number of fields outside philosophy.

1. Life

Ludwig Josef Johann Wittgenstein, born on April 26th 1889 in Vienna, Austria, was a charismatic enigma. He has been something of a cult figure but shunned publicity and even built an isolated hut in Norway to live in complete seclusion. His sexuality was ambiguous but he was probably gay; how actively so is still a matter of controversy. His life seems to have been dominated by an obsession with moral and philosophical perfection, summed up in the subtitle of Ray Monk's excellent biography Wittgenstein: The Duty of Genius.

His concern with moral perfection led Wittgenstein at one point to insist on confessing to several people various sins, including that of allowing others to underestimate the extent of his 'Jewishness'. His father Karl Wittgenstein's parents were born Jewish but converted to Protestantism and his mother Leopoldine (nee Kalmus) was Catholic, but her father was of Jewish descent. Wittgenstein himself was baptized in a Catholic church and was given a Catholic burial, although between baptism and burial he was neither a practicing nor a believing Catholic.

The Wittgenstein family was large and wealthy. Karl Wittgenstein was one of the most successful businessmen in the Austro-Hungarian Empire, leading the iron and steel industry there. The Wittgensteins' home attracted people of culture, especially musicians, including the composer Johannes Brahms, who was a friend of the family. Music remained important to Wittgenstein throughout his life. So did darker matters. Ludwig was the youngest of eight children, and of his four brothers, three committed suicide.

As for his career, Wittgenstein studied mechanical engineering in Berlin and in 1908 went to Manchester, England to do research in aeronautics, experimenting with kites. His interest in engineering led to an interest in mathematics which in turn got him thinking about philosophical questions about the foundations of mathematics. He visited the mathematician and philosopher Gottlob Frege (1848-1925), who recommended that he study with Bertrand Russell (1872-1970) in Cambridge. At Cambridge Wittgenstein greatly impressed Russell and G.E. Moore (1873- 1958), and began work on logic.

When his father died in 1913 Wittgenstein inherited a fortune, which he quickly gave away. When war broke out the next year, he volunteered for the Austrian army. He continued his philosophical work and won several medals for bravery during the war. The result of his thinking on logic was the Tractatus Logico-Philosophicus which was eventually published in English in 1922 with Russell's help. This was the only book Wittgenstein published during his lifetime. Having thus, in his opinion, solved all the problems of philosophy, Wittgenstein became an elementary school teacher in rural Austria, where his approach was strict and unpopular, but apparently effective. He spent 1926-28 meticulously designing and building an austere house in Vienna for his sister Gretl.

In 1929 he returned to Cambridge to teach at Trinity College, recognizing that in fact he had more work to do in philosophy. He became professor of philosophy at Cambridge in 1939. During World War II he worked as a hospital porter in London and as a research technician in Newcastle. After the war he returned to university teaching but resigned his professorship in 1947 to concentrate on writing. Much of this he did in Ireland, preferring isolated rural places for his work. By 1949 he had written all the material that was published after his death as Philosophical Investigations, arguably his most important work. He spent the last two years of his life in Vienna, Oxford and Cambridge and kept working until he died of prostate cancer in Cambridge in April 1951. His work from these last years has been published as On Certainty. His last words were, "Tell them I've had a wonderful life."

2. Tractatus Logico-Philosophicus

Wittgenstein told Ludwig von Ficker that the point of the Tractatus was ethical. In the preface to the book he says that its value consists in two things: "that thoughts are expressed in it" and "that it shows how little is achieved when these problems are solved." The problems he refers to are the problems of philosophy defined, we may suppose, by the work of Frege and Russell, and perhaps also Schopenhauer. At the end of the book Wittgenstein says "My propositions serve as elucidations in the following way: anyone who understands me eventually recognizes them as nonsensical" [emphasis added]. What to make of the Tractatus, its author, and the propositions it contains, then, is no easy matter.

The book certainly does not seem to be about ethics. It consists of numbered propositions in seven sets. Proposition 1.2 belongs to the first set and is a comment on proposition 1. Proposition 1.21 is about proposition 1.2, and so on. The seventh set contains only one proposition, the famous "What we cannot speak about we must pass over in silence."

Some important and representative propositions from the book are these:

1 The world is all that is the case.

4.01 “A proposition is a picture of reality.” Ludwig Wittgenstein

4.0312 ...”My fundamental idea is that the 'logical constants' are not representatives; that there can be no representatives of the logic of facts.” Ludwig Wittgenstein

4.121 ...!Propositions show the logical form of reality. They display it.” Ludwig Wittgenstein

4.1212 What can be shown, cannot be said.

4.5 ...The general form of a proposition is: This is how things stand.

5.43 ...all the propositions of logic say the same thing, to wit nothing.

5.4711 “To give the essence of a proposition means to give the essence of all description, and thus the essence of the world.” Ludwig Wittgenstein

5.6 “The limits of my language mean the limits of my world.” Ludwig Wittgenstein

Here and elsewhere in the Tractatus Wittgenstein seems to be saying that the essence of the world and of life is: This is how things are. One is tempted to add "--deal with it." That seems to fit what Cora Diamond has called his "accept and endure" ethics, but he says that the propositions of the Tractatus are meaningless, not profound insights, ethical or otherwise. What are we to make of this?

Many commentators ignore or dismiss what Wittgenstein said about his work and its aims, and instead look for regular philosophical theories in his work. The most famous of these in the Tractatus is the "picture theory" of meaning. According to this theory propositions are meaningful insofar as they picture states of affairs or matters of empirical fact. Anything normative, supernatural or (one might say) metaphysical must, it therefore seems, be nonsense. This has been an influential reading of parts of the Tractatus. Unfortunately, this reading leads to serious problems since by its own lights the Tractatus' use of words like "object," "reality" and "world" is illegitimate. These concepts are purely formal or a priori. A statement such as "There are objects in the world" does not picture a state of affairs. Rather it is, as it were, presupposed by the notion of a state of affairs. The "picture theory" therefore denies sense to just the kind of statements of which the Tractatus is composed, to the framework supporting the picture theory itself. In this way the Tractatus pulls the rug out from under its own feet.

If the propositions of the Tractatus are nonsensical then they surely cannot put forward the picture theory of meaning, or any other theory. Nonsense is nonsense. However, this is not to say that the Tractatus itself is without value. Wittgenstein's aim seems to have been to show up as nonsense the things that philosophers (himself included) are tempted to say. Philosophical theories, he suggests, are attempts to answer questions that are not really questions at all (they are nonsense), or to solve problems that are not really problems. He says in proposition 4.003 that:

“Most of the propositions and questions of philosophers arise from our failure to understand the logic of our language. (They belong to the same class as the question whether the good is more or less identical than the beautiful.) And it is not surprising that the deepest problems are in fact not problems at all.”

Philosophers, then, have the task of presenting the logic of our language clearly. This will not solve important problems but it will show that some things that we take to be important problems are really not problems at all. The gain is not wisdom but an absence of confusion. This is not a rejection of philosophy or logic. Wittgenstein took philosophical puzzlement very seriously indeed, but he thought that it needed dissolving by analysis rather than solving by the production of theories. The Tractatus presents itself as a key for untying a series of knots both profound and highly technical.

3. Ethics and Religion

Wittgenstein had a lifelong interest in religion and claimed to see every problem from a religious point of view, but never committed himself to any formal religion. His various remarks on ethics also suggest a particular point of view, and Wittgenstein often spoke of ethics and religion together. This point of view or attitude can be seen in the four main themes that run through Wittgenstein's writings on ethics and religion: goodness, value or meaning are not to be found in the world; living the right way involves acceptance of or agreement with the world, or life, or God's will, or fate; one who lives this way will see the world as a miracle; there is no answer to the problem of life--the solution is the disappearance of the problem.

Certainly Wittgenstein worried about being morally good or even perfect, and he had great respect for sincere religious conviction, but he also said, in his 1929 lecture on ethics, that "the tendency of all men who ever tried to write or talk Ethics or Religion was to run against the boundaries of language," i.e. to talk or write nonsense. This gives support to the view that Wittgenstein believed in mystical truths that somehow cannot be expressed meaningfully but that are of the utmost importance. It is hard to conceive, though, what these 'truths' might be.

An alternative view is that Wittgenstein believed that there is really nothing to say about ethics. This would explain why he wrote less and less about ethics as his life wore on. His "accept and endure" attitude and belief in going "the bloody hard way" are evident in all his work, especially after the Tractatus. Wittgenstein wants his reader not to think (too much) but to look at the "language games" (any practices that involve language) that give rise to philosophical (personal, existential, spiritual) problems. His approach to such problems is painstaking, thorough, open-eyed and receptive. His ethical attitude is an integral part of his method and shows itself as such.

But there is little to say about such an attitude short of recommending it. In Culture and Value p.29e Wittgenstein writes:

“Rules of life are dressed up in pictures. And these pictures can only serve to describe what we are to do, not justify it. Because they could provide a justification only if they held good in other respects as well. I can say: "Thank these bees for their honey as though they were kind people who have prepared it for you"; that is intelligible and describes how I should like you to conduct yourself. But I cannot say: "Thank them because, look, how kind they are!"--since the next moment they may sting you.”

In a world of contingency one cannot prove that a particular attitude is the correct one to take. If this suggests relativism, it should be remembered that it too is just one more attitude or point of view, and one without the rich tradition and accumulated wisdom, philosophical reasoning and personal experience of, say, orthodox Christianity or Judaism. Indeed crude relativism, the universal judgement that one cannot make universal judgements, is self- contradictory. Whether Wittgenstein's views suggest a more sophisticated form of relativism is another matter, but the spirit of relativism seems far from Wittgenstein's conservatism and absolute intolerance of his own moral shortcomings. Compare the tolerance that motivates relativism with Wittgenstein's assertion to Russell that he would prefer "by far" an organization dedicated to war and slavery to one dedicated to peace and freedom. (This assertion, however, should not be taken literally: Wittgenstein was no war-monger and even recommended letting oneself be massacred rather than taking part in hand-to-hand combat. It was apparently the complacency, and perhaps the self-righteousness, of Russell's liberal cause that Wittgenstein objected to.)

With regard to religion, Wittgenstein is often considered a kind of Anti-Realist (see below for more on this). He opposed interpretations of religion that emphasize doctrine or philosophical arguments intended to prove God's existence, but was greatly drawn to religious rituals and symbols, and considered becoming a priest. He likened the ritual of religion to a great gesture, as when one kisses a photograph. This is not based on the false belief that the person in the photograph will feel the kiss or return it, nor is it based on any other belief. Neither is the kiss just a substitute for a particular phrase, like "I love you." Like the kiss, religious activity does express an attitude, but it is not just the expression of an attitude in the sense that several other forms of expression might do just as well. There might be no substitute that would do. The same might be said of the whole language-game (or games) of religion, but this is a controversial point. If religious utterances, such as "God exists," are treated as gestures of a certain kind then this seems not to be treating them as literal statements. Many religious believers, including Wittgensteinian ones, would object strongly to this. There is room, though, for a good deal of sophisticated disagreement about what it means to take a statement literally. For instance, Charles Taylor's view, roughly, is that the real is whatever will not go away. If we cannot reduce talk about God to anything else, or replace it, or prove it false, then perhaps God is as real as anything else.

4. Conception of Philosophy

Wittgenstein's view of what philosophy is, or should be, changed little over his life. In the Tractatus he says at 4.111 that "philosophy is not one of the natural sciences," and at 4.112 "Philosophy aims at the logical clarification of thoughts." Philosophy is not descriptive but elucidatory. Its aim is to clear up muddle and confusion. It follows that philosophers should not concern themselves so much with what is actual, keeping up with the latest popularizations of science, say, which Wittgenstein despised. The philosopher's proper concern is with what is possible, or rather with what is conceivable. This depends on our concepts and the ways they fit together as seen in language. What is conceivable and what is not, what makes sense and what does not, depends on the rules of language, of grammar.

In Philosophical Investigations Sect. 90 Wittgenstein says:

“Our investigation is a grammatical one. Such an investigation sheds light on our problem by clearing misunderstandings away. Misunderstandings concerning the use of words, caused, among other things, by certain analogies between the forms of expression in different regions of language.”

The similarities between the sentences "I'll keep it in mind" and "I'll keep it in this box," for instance, (along with many others) can lead one to think of the mind as a thing something like a box with contents of its own. The nature of this box and its mental contents can then seem very mysterious. Wittgenstein suggests that one way, at least, to deal with such mysteries is to recall the different things one says about minds, memories, thoughts and so on, in a variety of contexts.

What one says, or what people in general say, can change. Ways of life and uses of language change, so meanings change, but not utterly and instantaneously. Things shift and evolve, but rarely if ever so drastically that we lose all grip on meaning. So there is no timeless essence of at least some and perhaps all concepts, but we still understand one another well enough most of the time.

When nonsense is spoken or written, or when something just seems fishy, we can sniff it out. The road out of confusion can be a long and difficult one, hence the need for constant attention to detail and particular examples rather than generalizations, which tend to be vague and therefore potentially misleading. The slower the route, the surer the safety at the end of it. That is why Wittgenstein said that in philosophy the winner is the one who finishes last. But we cannot escape language or the confusions to which it gives rise, except by dying. In the meantime, Wittgenstein offers four main methods to avoid philosophical confusion, as described by Norman Malcolm: describing circumstances in which a seemingly problematic expression might actually be used in everyday life, comparing our use of words with imaginary language games, imagining fictitious natural history, and explaining psychologically the temptation to use a certain expression inappropriately.

The complex, intertwined relationship between a language and the form of life that goes with it means that problems arising from language cannot just be set aside--they infect our lives, making us live in confusion. We might find our way back to the right path, but there is no guarantee that we will never again stray. In this sense there can be no progress in philosophy.

In 1931 Wittgenstein described his task thus:

“Language sets everyone the same traps; it is an immense network of easily accessible wrong turnings. And so we watch one man after another walking down the same paths and we know in advance where he will branch off, where walk straight on without noticing the side turning, etc. etc. What I have to do then is erect signposts at all the junctions where there are wrong turnings so as to help people past the danger points.”

But such signposts are all that philosophy can offer and there is no certainty that they will be noticed or followed correctly. And we should remember that a signpost belongs in the context of a particular problem area. It might be no help at all elsewhere, and should not be treated as dogma. So philosophy offers no truths, no theories, nothing exciting, but mainly reminders of what we all know. This is not a glamorous role, but it is difficult and important. It requires an almost infinite capacity for taking pains (which is one definition of genius) and could have enormous implications for anyone who is drawn to philosophical contemplation or who is misled by bad philosophical theories. This applies not only to professional philosophers but to any people who stray into philosophical confusion, perhaps not even realizing that their problems are philosophical and not, say, scientific.

5. Meaning

Sect. 43 of Wittgenstein's Philosophical Investigations says that: "For a large class of cases--though not for all--in which we employ the word "meaning" it can be defined thus: the meaning of a word is its use in the language."

It is quite clear that here Wittgenstein is not offering the general theory that "meaning is use," as he is sometimes interpreted as doing. The main rival views that Wittgenstein warns against are that the meaning of a word is some object that it names--in which case the meaning of a word could be destroyed, stolen or locked away, which is nonsense--and that the meaning of a word is some psychological feeling--in which case each user of a word could mean something different by it, having a different feeling, and communication would be difficult if not impossible.

Knowing the meaning of a word can involve knowing many things: to what objects the word refers (if any), whether it is slang or not, what part of speech it is, whether it carries overtones, and if so what kind they are, and so on. To know all this, or to know enough to get by, is to know the use. And generally knowing the use means knowing the meaning. Philosophical questions about consciousness, for example, then, should be responded to by looking at the various uses we make of the word "consciousness." Scientific investigations into the brain are not directly relevant to this inquiry (although they might be indirectly relevant if scientific discoveries led us to change our use of such words). The meaning of any word is a matter of what we do with our language, not something hidden inside anyone's mind or brain. This is not an attack on neuroscience. It is merely distinguishing philosophy (which is properly concerned with linguistic or conceptual analysis) from science (which is concerned with discovering facts).

One exception to the meaning-is-use rule of thumb is given in Philosophical Investigations Sect.561, where Wittgenstein says that "the word "is" is used with two different meanings (as the copula and as the sign of equality)" but that its meaning is not its use. That is to say, "is" has not one complex use (including both "Water is clear" and "Water is H2O") and therefore one complex meaning, but two quite distinct uses and meanings. It is an accident that the same word has these two uses. It is not an accident that we use the word "car" to refer to both Fords and Hondas. But what is accidental and what is essential to a concept depends on us, on how we use it.

This is not completely arbitrary, however. Depending on one's environment, one's physical needs and desires, one's emotions, one's sensory capacities, and so on, different concepts will be more natural or useful to one. This is why "forms of life" are so important to Wittgenstein. What matters to you depends on how you live (and vice versa), and this shapes your experience. So if a lion could speak, Wittgenstein says, we would not be able to understand it. We might realize that "roar" meant zebra, or that "roar, roar" meant lame zebra, but we would not understand lion ethics, politics, aesthetic taste, religion, humor and such like, if lions have these things. We could not honestly say "I know what you mean" to a lion. Understanding another involves empathy, which requires the kind of similarity that we just do not have with lions, and that many people do not have with other human beings.

When a person says something what he or she means depends not only on what is said but also on the context in which it is said. Importance, point, meaning are given by the surroundings. Words, gestures, expressions come alive, as it were, only within a language game, a culture, a form of life. If a picture, say, means something then it means so to somebody. Its meaning is not an objective property of the picture in the way that its size and shape are. The same goes of any mental picture. Hence Wittgenstein's remark that "If God had looked into our minds he would not have been able to see there whom we were speaking of." Any internal image would need interpretation. If I interpret my thought as one of Hitler and God sees it as Charlie Chaplin, who is right? Which of the two famous contemporaries of Wittgenstein's I mean shows itself in the way I behave, the things I do and say. It is in this that the use, the meaning, of my thought or mental picture lies. "The arrow points only in the application that a living being makes of it."

6. Rules and Private Language

Without sharing certain attitudes towards the things around us, without sharing a sense of relevance and responding in similar ways, communication would be impossible. It is important, for instance, that nearly all of us agree nearly all the time on what colors things are. Such agreement is part of our concept of color, Wittgenstein suggests. Regularity of the use of such concepts and agreement in their application is part of language, not a logically necessary precondition of it. We cannot separate the life in which there is such agreement from our concept of color. Imagine a different form or way of life and you imagine a different language with different concepts, different rules and a different logic.

This raises the question of the relation between language and forms or ways of life. For instance, could just one person have a language of his or her own? To imagine an individual solitary from birth is scarcely to imagine a form of life at all, but more like just imagining a life- form. Moreover, language involves rules establishing certain linguistic practices. Rules of grammar express the fact that it is our practice to say this (e.g. "half past twelve") and not that (e.g. "half to one"). Agreement is essential to such practices. Could a solitary individual, then, engage in any practice, including linguistic ones? With whom could he or she agree? This is a controversial issue in the interpretation of Wittgenstein. Gordon Baker and P.M.S. Hacker hold that such a solitary man could speak his own language, follow his own rules, and so on, agreeing, over time, with himself in his judgements and behavior. Orthodoxy is against this interpretation, however.

Norman Malcolm has written that "If you conceive of an individual who has been in solitude his whole life long, then you have cut away the background of instruction, correction, acceptance--in short, the circumstances in which a rule is given, enforced, and followed." Mere regularity of behavior does not constitute following rules, whether they be rules of grammar or any other kind. A car that never starts in cold weather does not follow the rule "Don't start when it's cold," nor does a songbird follow a rule in singing the same song every day. Whether a solitary-from-birth individual would ever do anything that we would properly call following a rule is at least highly doubtful. How could he or she give himself or herself a rule to follow without language? And how could he or she get a language? Inventing one would involve inventing meaning, as Rush Rhees has argued, and this sounds incoherent. (The most famous debate about this was between Rhees and A.J. Ayer. Unfortunately for Wittgenstein, Ayer is generally considered to have won.) Alternatively, perhaps the Crusoe-like figure just does behave, sound, etc. just like a native speaker of, say, English. But this is to imagine either a freakish automaton, not a human being, or else a miracle. In the case of a miracle, Wittgenstein says, it is significant that we imagine not just the pseudo- Crusoe but also God. In the case of the automatic speaker, we might adopt what Daniel Dennett calls an "intentional stance" towards him, calling what he does "speaking English," but he is obviously not doing what the rest of us English-speakers--who learned the language, rather than being born speaking it, and who influence and are influenced by others in our use of the language--do.

The debate about solitary individuals is sometimes referred to as the debate about "private language." Wittgenstein uses this expression in another context, however, to name a language that refers to private sensations. Such a private language by definition cannot be understood by anyone other than its user (who alone knows the sensations to which it refers). Wittgenstein invites us to imagine a man who decides to write 'S' in his diary whenever he has a certain sensation. This sensation has no natural expression, and 'S' cannot be defined in words. The only judge of whether 'S' is used correctly is the inventor of 'S'. The only criterion of correctness is whether a sensation feels the same to him or her. There are no criteria for its being the same other than its seeming the same. So he writes 'S' when he feels like it. He might as well be doodling. The so-called 'private language' is no language at all. The point of this is not to show that a private language is impossible but to show that certain things one might want to say about language are ultimately incoherent. If we really try to picture a world of private objects (sensations) and inner acts of meaning and so on, we see that what we picture is either regular public language or incomprehensible behavior (the man might as well quack as say or write 'S').

This does not, as has been alleged, make Wittgenstein a behaviorist. He does not deny the existence of sensations or experiences. Pains, tickles, itches, etc. are all part of human life, of course. At Philosophical Investigations Sect. 293 Wittgenstein says that "if we construe the grammar of the expression of sensation on the model of 'object and designation' the object drops out of consideration as irrelevant." This suggests not that pains and so on are irrelevant but that we should not construe the grammar of the expression of sensation on the model of 'object and designation'. If we want to understand a concept like pain we should not think of a pain as a private object referred to somehow by the public word "pain." A pain is not "a something," just as love, democracy and strength are not things, but it is no more "a nothing" than they are either (see Philosophical Investigations Sect. 304). Saying this is hardly satisfactory, but there is no simple answer to the question "What is pain?" Wittgenstein offers not an answer but a kind of philosophical 'therapy' intended to clear away what can seem so obscure. To judge the value of this therapy, the reader will just have to read Wittgenstein's work for herself.

The best known work on Wittgenstein's writings on this whole topic is Saul A. Kripke's Wittgenstein on Rules and Private Language. Kripke is struck by the idea that anything might count as continuing a series or following a rule in the same way. It all depends on how the rule or series is interpreted. And any rule for interpretation will itself be subject to a variety of interpretations, and so on. What counts as following a rule correctly, then, is not determined somehow by the rule itself but by what the relevant linguistic community accepts as following the rule. So whether two plus two equals four depends not on some abstract, extra-human rule of addition, but on what we, and especially the people we appoint as experts, accept. Truth conditions are replaced by assertability conditions. To put it crudely, what counts is not what is true or right (in some sense independent of the community of language users), but what you can get away with or get others to accept.

Kripke's theory is clear and ingenious, and owes a lot to Wittgenstein, but is doubtful as an interpretation of Wittgenstein. Kripke himself presents the argument not as Wittgenstein's, nor as his own, but as "Wittgenstein's argument as it struck Kripke" (Kripke p.5). That the argument is not Wittgenstein's is suggested by the fact that it is a theory, and Wittgenstein rejected philosophical theories, and by the fact that the argument relies heavily on the first sentence of Philosophical Investigations Sect. 201: "This was our paradox: no course of action could be determined by a rule, because every course of action can be made out to accord with the rule." For Kripke's theory as a reading of Wittgenstein, it is not good that the very next paragraph begins, "It can be seen that there is a misunderstanding here..." Still, it is no easy matter to see just where Wittgenstein does diverge from the hybrid person often referred to as 'Kripkenstein'. The key perhaps lies later in the same paragraph, where Wittgenstein writes that "there is a way of grasping a rule which is not an interpretation". Many scholars, notably Baker and Hacker, have gone to great lengths to explain why Kripke is mistaken. Since Kripke is so much easier to understand, one of the best ways into Wittgenstein's philosophy is to study Kripke and his Wittgensteinian critics. At the very least, Kripke introduces his readers well to issues that were of great concern to Wittgenstein and shows their importance.

7. Realism and Anti-Realism

Wittgenstein's place in the debate about philosophical Realism and Anti-Realism is an interesting one. His emphasis on language and human behavior, practices, etc. makes him a prime candidate for Anti-Realism in many people's eyes. He has even been accused of linguistic idealism, the idea that language is the ultimate reality. The laws of physics, say, would by this theory just be laws of language, the rules of the language game of physics. Anti-Realist scepticism of this kind has proved quite popular in the philosophy of science and in theology, as well as more generally in metaphysics and ethics.

On the other hand, there is a school of Wittgensteinian Realism, which is less well known. Wittgenstein's views on religion, for instance, are often compared with those of Simone Weil, who was a Platonist of sorts. Sabina Lovibond argues for a kind of Wittgensteinian Realism in ethics in her Realism and Imagination in Ethics and the influence of Wittgenstein is clear in Raimond Gaita's Good and Evil: An Absolute Conception. However, one should not go too far with the idea of Wittgensteinian Realism. Lovibond, for instance, equates objectivity with intersubjectivity (universal agreement), so her Realism is of a controversial kind.

Both Realism and Anti-Realism, though, are theories, or schools of theories, and Wittgenstein explicitly rejects the advocacy of theories in philosophy. This does not prove that he practiced what he preached, but it should give us pause. It is also worth noting that supporters of Wittgenstein often claim that he was neither a Realist nor an Anti-Realist, at least with regard to metaphysics. There is something straightforwardly unWittgensteinian about the Realist's belief that language/thought can be compared with reality and found to 'agree' with it. The Anti-Realist says that we could not get outside our thought or language (or form of life or language games) to compare the two. But Wittgenstein was concerned not with what we can or cannot do, but with what makes sense. If metaphysical Realism is incoherent then so is its opposite. The nonsensical utterance "laubgefraub" is not to be contradicted by saying, "No, it is not the case that laubgefraub," or "Laubgefraub is a logical impossibility." If Realism is truly incoherent, as Wittgenstein would say, then so is Anti-Realism.

8. Certainty

Wittgenstein's last writings were on the subject of certainty. He wrote in response to G.E. Moore's attack on scepticism about the external world. Moore had held up one hand, said "Here is one hand," then held up his other hand and said "and here is another." His point was that things outside the mind really do exist, we know they do, and that no grounds for scepticism could be strong enough to undermine this commonsense knowledge.

Wittgenstein did not defend scepticism, but questioned Moore's claim to know that he had two hands. Such 'knowledge' is not something that one is ever taught, or finds out, or proves. It is more like a background against which we come to know other things. Wittgenstein compares this background to the bed of a river. This river bed provides the support, the context, in which claims to know various things have meaning. The bed itself is not something we can know or doubt. In normal circumstances no sane person doubts how many hands he or she has. But unusual circumstances can occur and what was part of the river bed can shift and become part of the river. I might, for instance, wake up dazed after a terrible accident and wonder whether my hands, which I cannot feel, are still there or not. This is quite different, though, from Descartes's pretended doubt as to whether he has a body at all. Such radical doubt is really not doubt at all, from Wittgenstein's point of view. And so it cannot be dispelled by a proof that the body exists, as Moore tried to do.

9. Continuity

Wittgenstein is generally considered to have changed his thinking considerably over his philosophical career. His early work culminated in the Tractatus Logico-Philosophicus with its picture theory of language and mysticism, according to this view. Then there came a transitional middle period when he first returned to philosophical work after realizing that he had not solved all the problems of philosophy. This period led to his mature, later period which gave us the Philosophical Investigations and On Certainty.

There certainly are marked changes in Wittgenstein's work, but the differences between his early and late work can be exaggerated. Two central discontinuities in his work are these: whereas the Tractatus is concerned with the general form of the proposition, the general nature of metaphysics, and so on, in his later work Wittgenstein is very critical of "the craving for generality"; and, in the Tractatus Wittgenstein speaks of the central problems of philosophy, whereas the later work treats no problems as central. Another obvious difference is in Wittgenstein's style. The Tractatus is a carefully constructed set of short propositions. The Investigations, though also consisting of numbered sections, is longer, less clearly organized and more rambling, at least in appearance. This reflects Wittgenstein's rejection of the idea that there are just a few central problems in philosophy, and his insistence on paying attention to particular cases, going over the rough ground.

On the other hand, the Tractatus itself says that its propositions are nonsense and thus, in a sense (not easy to understand), rejects itself. The fact that the later work also criticizes the Tractatus is not, therefore, proof of discontinuity in Wittgenstein's work. The main change may have been one of method and style. Problems are investigated one at a time, although many overlap. There is not a full-frontal assault on the problem or problems of philosophy. Otherwise, the Tractatus and the Philosophical Investigations attack much the same problems; they just do so in different ways.

10. Wittgenstein in History

Wittgenstein's place in the history of philosophy is a peculiar one. His philosophical education was unconventional (going from engineering to working first-hand with one of the greatest philosophers of his day in Bertrand Russell) and he seems never to have felt the need to go back and make a thorough study of the history of philosophy. He was interested in Plato, admired Leibniz, but was most influenced by the work of Schopenhauer, Russell and Frege.

From Schopenhauer (perhaps) Wittgenstein got his interest in solipsism and in the ethical nature of the relation between the will and the world. Schopenhauer's saying that "The world is my idea," (from The World as Will and Idea) is echoed in such remarks as "The world is my world" (from Tractatus 5.62). What Wittgenstein means here, where he also says that what the solipsist means is quite correct, but that it cannot be said, is obscure and controversial. Some have taken him to mean that solipsism is true but for some reason cannot be expressed. H.O. Mounce, in his valuable Wittgenstein's Tractatus: An Introduction, says that this interpretation is surely wrong. Mounce's view is that Wittgenstein holds solipsism itself to be a confusion, but one that sometimes arises when one tries to express the fact that "I have a point of view on the world which is without neighbours." (Mounce p.91) Wittgenstein was not a solipsist but he remained interested in solipsism and related problems of scepticism throughout his life.

Frege was a mathematician as well as a logician. He was interested in questions of truth and falsehood, sense and reference (a distinction he made famous) and in the relation between objects and concepts, propositions and thoughts. But his interest was in logic and mathematics exclusively, not in psychology or ethics. His great contribution to logic was to introduce various mathematical elements into formal logic, including quantification, functions, arguments (in the mathematical sense of something substituted for a variable in a function) and the value of a function. In logic this value, according to Frege, is always either the True or the False, hence the notion of truth-value. Both Frege and Russell wanted to show that mathematics is an extension of logic. Undoubtedly both men influenced Wittgenstein enormously, especially since he worked first-hand with Russell. Some measure of their importance to him can be seen in the preface to the Tractatus, where Wittgenstein says that he is "indebted to Frege's great works and to the writings of my friend Mr Bertrand Russell for much of the stimulation of my thoughts." For some insight into whether Frege or Russell had the greater influence one can consider whether one would rather be recognized for his or her great works or for simply being a friend.

In turn Wittgenstein influenced twentieth century philosophy enormously. The Vienna Circle logical positivists were greatly impressed by what they found in the Tractatus, especially the idea that logic and mathematics are analytic, the verifiability principle and the idea that philosophy is an activity aimed at clarification, not the discovery of facts. Wittgenstein, though, said that it was what is not in the Tractatus that matters most.

The other group of philosophers most obviously indebted to Wittgenstein is the ordinary language or Oxford school of thought. These thinkers were more interested in Wittgenstein's later work and its attention to grammar.

Wittgenstein is thus a doubly key figure in the development and history of analytic philosophy, but he has become rather unfashionable because of his anti-theoretical, anti-scientism stance, because of the difficulty of his work, and perhaps also because he has been little understood. Similarities between Wittgenstein's work and that of Derrida are now generating interest among continental philosophers, and Wittgenstein may yet prove to be a driving force behind the emerging post-analytic school of philosophy.

Anaximander, outstanding presocratic Philosopher

(c. 610—546 B.C.E.)

Anaximander was the author of the first surviving lines of Western philosophy. He speculated and argued about "the Boundless" as the origin of all that is. He also worked on the fields of what we now call geography and biology. Moreover, Anaximander was the first speculative astronomer. He originated the world-picture of the open universe, which replaced the closed universe of the celestial vault.

His work will always remain truncated, like the mutilated and decapitated statue that has been found at the market-place of Miletus and that bears his name. Nevertheless, by what we know of him, we may say that he was one of the greatest minds that ever lived. By speculating and arguing about the "Boundless" he was the first metaphysician. By drawing a map of the world he was the first geographer. But above all, by boldly speculating about the universe he broke with the ancient image of the celestial vault and became the discoverer of the Western world-picture.

1. Life and Sources

The history of written Greek philosophy starts with Anaximander of Miletus in Asia Minor, a fellow-citizen of Thales. He was the first who dared to write a treatise in prose, which has been called traditionally On Nature. This book has been lost, although it probably was available in the library of the Lyceum at the times of Aristotle and his successor Theophrastus. It is said that Apollodorus, in the second century BCE, stumbled upon a copy of it, perhaps in the famous library of Alexandria. Recently, evidence has appeared that it was part of the collection of the library of Taormina in Sicily, where a fragment of a catalogue has been found, on which Anaximander's name can be read. Only one fragment of the book has come down to us, quoted by Simplicius (after Theophrastus), in the sixth century AD. It is perhaps the most famous and most discussed phrase in the history of philosophy.

We also know very little of Anaximander's life. He is said to have led a mission that founded a colony called Apollonia on the coast of the Black Sea. He also probably introduced the gnomon (a perpendicular sun-dial) into Greece and erected one in Sparta. So he seems to have been a much-traveled man, which is not astonishing, as the Milesians were known to be audacious sailors. It is also reported that he displayed solemn manners and wore pompous garments. Most of the information on Anaximander comes from Aristotle and his pupil Theophrastus, whose book on the history of philosophy was used, excerpted, and quoted by many other authors, the so-called doxographers, before it was lost. Sometimes, in these texts words or expressions appear that can with some certainty be ascribed to Anaximander himself. Relatively many testimonies, approximately one third of them, have to do with astronomical and cosmological questions. Hermann Diels and Walter Kranz have edited the doxography (A) and the existing texts (B) of the Presocratic philosophers in Die Fragmente der Vorsokratiker, Berlin 1951-19526. (A quotation like "DK 12A17" means: "Diels/Kranz, Anaximander, doxographical report no.17").

2. The "Boundless" as Principle

According to Aristotle and Theophrastus, the first Greek philosophers were looking for the "origin" or "principle" (the Greek word "archê" has both meanings) of all things. Anaximander is said to have identified it with "the Boundless" or "the Unlimited" (Greek: "apeiron," that is, "that which has no boundaries"). Already in ancient times, it is complained that Anaximander did not explain what he meant by "the Boundless." More recently, authors have disputed whether the Boundless should be interpreted as spatially or temporarily without limits, or perhaps as that which has no qualifications, or as that which is inexhaustible. Some scholars have even defended the meaning "that which is not experienced," by relating the Greek word "apeiron" not to "peras" ("boundary," "limit"), but to "perao" ("to experience," "to apperceive"). The suggestion, however, is almost irresistible that Greek philosophy, by making the Boundless into the principle of all things, has started on a high level of abstraction. On the other hand, some have pointed out that this use of "apeiron" is atypical for Greek thought, which was occupied with limit, symmetry and harmony. The Pythagoreans placed the boundless (the "apeiron") on the list of negative things, and for Aristotle, too, perfection became aligned with limit (Greek: "peras"), and thus "apeiron" with imperfection. Therefore, some authors suspect eastern (Iranian) influence on Anaximander's ideas.

3. The Arguments Regarding the Boundless

It seems that Anaximander not only put forward the thesis that the Boundless is the principle, but also tried to argue for it. We might say that he was the first who made use of philosophical arguments. Anaximander's arguments have come down to us in the disguise of Aristotelian jargon. Therefore, any reconstruction of the arguments used by the Milesian must remain conjectural. Verbatim reconstruction is of course impossible. Nevertheless, the data, provided they are handled with care, allow us to catch glimpses of what the arguments of Anaximander must have looked like. The important thing is, however, that he did not just utter apodictic statements, but also tried to give arguments. This is what makes him the first philosopher.

a. The Boundless has No Origin

Aristotle reports a curious argument, which probably goes back to Anaximander, in which it is argued that the Boundless has no origin, because it is itself the origin. We would say that it looks more like a string of associations and word-plays than like a formal argument. It runs as follows: "Everything has an origin or is an origin. The Boundless has no origin. For then it would have a limit. Moreover, it is both unborn and immortal, being a kind of origin. For that which has become has also, necessarily, an end, and there is a termination to every process of destruction" (Physics 203b6-10, DK 12A15). The Greeks were familiar with the idea of the immortal Homeric gods. Anaximander added two distinctive features to the concept of divinity: his Boundless is an impersonal something (or "nature," the Greek word is "phusis"), and it is not only immortal but also unborn. However, perhaps not Anaximander, but  Thales should be credited with this new idea. Diogenes Laërtius ascribes to  Thales the aphorism: "What is the divine? That which has no origin and no end" (DK 11A1 (36)). Similar arguments, within different contexts, are used by Melissus (DK 30B2[9]) and Plato (Phaedrus 245d1-6).

b. The Origin Must be Boundless

Several sources give another argument which is somehow the other way round and answers the question of why the origin should be boundless. In Aristotle's version, it runs like this: "(The belief that there is something Boundless stems from) the idea that only then genesis and decay will never stop, when that from which is taken what has been generated, is boundless" (Physics 203b18-20, DK 12A15, other versions in DK12A14 and 12A17). In this argument, the Boundless seems to be associated with an inexhaustible source. Obviously, it is taken for granted that "genesis and decay will never stop," and the Boundless has to guarantee the ongoing of the process, like an ever-floating fountain.

c. The "Long Since" Argument

A third argument is relatively long and somewhat strange. It turns on one key word (in Greek: "êdê"), which is here translated with "long since." It is reproduced by Aristotle: "Some make this (namely, that which is additional to the elements) the Boundless, but not air or water, lest the others should be destroyed by one of them, being boundless; for they are opposite to one another (the air, for instance, is cold, the water wet, and the fire hot). If any of them should be boundless, it would long since have destroyed the others; but now there is, they say, something other from which they are all generated" (Physics 204b25-29, DK 12A16).

This is not only virtually the same argument as used by Plato in his Phaedo (72a12-b5), but even more interesting is that it was used almost 2500 years later by Friedrich Nietzsche in his attempts to prove his thesis of the Eternal Recurrence: "If the world had a goal, it would have been reached. If there were for it some unintended final state, this also must have been reached. If it were at all capable of a pausing and becoming fixed, if it were capable of "being," if in the whole course of its becoming it possessed even for a moment this capability of "being," then again all becoming would long since  have come to an end." Nietzsche wrote these words in his notebook in 1885, but already in Die Philosophie im tragischen Zeitalter der Griechen  (1873), which was not published during his lifetime, he mentioned the argument and credited Anaximander with it.

4. The Fragment

The only existing fragment of Anaximander's book (DK 12B1) is surrounded by all kinds of questions. The ancient Greeks did not use quotation marks, so that we cannot be sure where Simplicius, who has handed down the text to us, is still paraphrasing Anaximander and where he begins to quote him. The text is cast in indirect speech, even the part which most authors agree is a real quotation. One important word of the text ("allêlois," here translated by "upon one another") is missing in some manuscripts. As regards the interpretation of the fragment, it is heavily disputed whether it means to refer to Anaximander's principle, the Boundless, or not. The Greek original has relative pronouns in the plural (here rendered by "whence" and "thence"), which makes it difficult to relate them to the Boundless. However, Simplicius' impression that it is written in rather poetic words has been repeated in several ways by many authors. Therefore, we offer a translation, in which some poetic features of the original, such as chiasmus and alliteration have been imitated:

“Whence things have their origin,

 Thence also their destruction happens,

 As is the order of things;

 For they execute the sentence upon one another

 - The condemnation for the crime -

 In conformity with the ordinance of Time.”

In the fourth and fifth line a more fluent translation is given for what is usually rendered rather cryptic by something like "giving justice and reparation to one another for their injustice."

We may distinguish roughly two lines of interpretation, which may be labeled the "horizontal" and the "vertical." The horizontal interpretation holds that in the fragment nothing is said about the relation of the things to the Boundless, whereas the vertical interpretation maintains that the fragment describes the relationship of the things to the Boundless. The upholders of the horizontal interpretation usually do not deny that Anaximander taught that all things are generated from the Boundless, but they simply hold that this is not what is said in the fragment. They argue that the fragment describes the battle between the elements (or of things in general), which accounts for the origin and destruction of things. The most obvious difficulty, however, for this "horizontal" interpretation is that it implies two cycles of becoming and decay: one from and into the Boundless, and the other caused by the mutual give and take of the elements or things in general. In other words, in the "horizontal" interpretation the Boundless is superfluous. This is the strongest argument in favor of the "vertical" interpretation, which holds that the fragment refers to the Boundless, notwithstanding the plural relative pronouns. According to the "vertical" interpretation, then, the Boundless should be regarded not only as the ever-flowing fountain from which everything ultimately springs, but also as the yawning abyss (as some say, comparable with Hesiod's "Chaos") into which everything ultimately perishes.

The suggestion has been raised that Anaximander's formula in the first two lines of the fragment should have been the model for Aristotle's definition of the "principle" (Greek: "archê") of all things in Metaphysics  983b8. There is some sense in this suggestion. For what could be more natural for Aristotle than to borrow his definition of the notion of "archê," which he uses to indicate the principle of the first presocratic philosophers, from Anaximander, the one who introduced the notion?

It is certainly important that we possess one text from Anaximander's book. On the other hand, we must recognize that we know hardly anything of its original context, as the rest of the book has been lost. We do not know from which part of his book it is, nor whether it is a text the author himself thought crucial or just a line that caught one reader's attention as an example of Anaximander's poetic writing style. The danger exists that we are tempted to use this stray text - beautiful and mysterious as it is - in order to produce all kinds of profound interpretations that are hard to verify. Perhaps a better way of understanding what Anaximander has to say is to study carefully the doxography, which goes back to people like Aristotle and Theophrastus, who probably have had Anaximander's book before their eyes, and who tried to reformulate what they thought were its central claims.

5. The Origin of the Cosmos

The Boundless seems to have played a role in Anaximander's account of the origin of the cosmos. Its eternal movement is said to have caused the origin of the heavens. Elsewhere, it is said that "all the heavens and the worlds within them" have sprung from "some boundless nature." A part of this process is described in rather poetic language, full of images, which seems to be idiosyncratic for Anaximander: "a germ, pregnant with hot and cold, was separated [or: separated itself] off from the eternal, whereupon out of this germ a sphere of fire grew around the vapor that surrounds the earth, like a bark round a tree" (DK 12A10). Subsequently, the sphere of fire is said to have fallen apart into several rings, and this event was the origin of sun, moon, and stars. There are authors who have, quite anachronistically, seen here a kind of foreshadowing of the Kant-Laplace theory of the origin of the solar system. Some sources even mention innumerable worlds (in time and/or in space), which looks like a plausible consequence of the Boundless as principle. But this is presumably a later theory, incorrectly read back into Anaximander.

Aristotle

Introduction

Aristotle (384–322 BC) was an ancient Greek philosopher and scientist born in the city of Stagira, Chalkidice, on the northern periphery of Classical Greece. His father, Nicomachus, died when Aristotle was a child, whereafter Proxenus of Atarneus became his guardian. At seventeen or eighteen years of age, he joined Plato's Academy in Athens and remained there until the age of thirty-seven (c. 347 BC). His writings cover many subjects – including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theater, music, rhetoric, psychology, linguistics, politics and government – and constitute the first comprehensive system of Western philosophy. Shortly after Plato died, Aristotle left Athens and, at the request of Philip II of Macedon, tutored Alexander the Great beginning in 343 BC.

Teaching Alexander the Great gave Aristotle many opportunities and an abundance of supplies. He established a library in the Lyceum which aided in the production of many of his hundreds of books, which were written on papyrus scrolls. The fact that Aristotle was a pupil of Plato contributed to his former views of Platonism, but, following Plato's death, Aristotle immersed himself in empirical studies and shifted from Platonism to empiricism. He believed all peoples' concepts and all of their knowledge was ultimately based on perception. Aristotle's views on natural sciences represent the groundwork underlying many of his works.

Aristotle's views on physical science profoundly shaped medieval scholarship. Their influence extended from Late Antiquity and the Early Middle Ages into the Renaissance, and were not replaced systematically until the Enlightenment and theories such as classical mechanics. Some of Aristotle's zoological observations, such as on the hectocotyl (reproductive) arm of the octopus, were not confirmed or refuted until the 19th century. His works contain the earliest known formal study of logic, which was incorporated in the late 19th century into modern formal logic.

In metaphysics, Aristotelianism profoundly influenced Jewish and Islamic philosophical and theological thought during the Middle Ages and continues to influence Christian theology, especially the Neoplatonism of the Early Church and the scholastic tradition of the Catholic Church. Aristotle was well known among medieval Muslim scholars, and has been revered as "The First Teacher”

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Synopsis

Ancient Greek philosopher Aristotle was born circa 384 B.C. in Stagira, Greece. When he turned 17, he enrolled in Plato’s Academy. In 338, he began tutoring Alexander the Great. In 335, Aristotle founded his own school, the Lyceum, in Athens, where he spent most of the rest of his life studying, teaching and writing. Aristotle died in 322 B.C., after he left Athens and fled to Chalcis.

 

Early Life

Ancient Greek philosopher Aristotle was born circa 384 B.C. in Stagira, a small town on the northern coast of Greece that was once a seaport. Aristotle’s father, Nicomachus, was court physician to the Macedonian king Amyntas II. Although Nicomachus died when Aristotle was just a young boy, Aristotle remained closely affiliated with and influenced by the Macedonian court for the rest of his life. Little is known about his mother, Phaestis; she is also believed to have died when Aristotle was young.

After Aristotle’s father died, Proxenus of Atarneus, who was married to Aristotle’s older sister, Arimneste, became Aristotle’s guardian until he came of age. When Aristotle turned 17, Proxenus sent him to Athens to pursue a higher education. At the time, Athens was considered the academic center of the universe. In Athens, Aristotle enrolled in Plato’s Academy, Greek’s premier learning institution, and proved an exemplary scholar. Aristotle maintained a relationship with Greek philosopher Plato, himself a student of Socrates, and his academy for two decades. Plato died in 347 B.C. Because Aristotle had disagreed with some of Plato’s philosophical treatises, Aristotle did not inherit the position of director of the academy, as many imagined he would.

After Plato died, Aristotle’s friend Hermias, king of Atarneus and Assos in Mysia, invited Aristotle to court. During his three-year stay in Mysia, Aristotle met and married his first wife, Pythias, Hermias’ niece. Together, the couple had a daughter, Pythias, named after her mother.

Teaching

In 338 B.C., Aristotle went home to Macedonia to start tutoring King Phillip II’s son, the then 13-year-old Alexander the Great. Phillip and Alexander both held Aristotle in high esteem and ensured that the Macedonia court generously compensated him for his work.

In 335 B.C., after Alexander had succeeded his father as king and conquered Athens, Aristotle went back to the city. In Athens, Plato’s Academy, now run by Xenocrates, was still the leading influence on Greek thought. With Alexander’s permission, Aristotle started his own school in Athens, called the Lyceum. On and off, Aristotle spent most of the remainder of his life working as a teacher, researcher and writer at the Lyceum in Athens.

Because Aristotle was known to walk around the school grounds while teaching, his students, forced to follow him, were nicknamed the “Peripatetics,” meaning “people who travel about.” Lyceum members researched subjects ranging from science and math to philosophy and politics, and nearly everything in between. Art was also a popular area of interest. Members of the Lyceum wrote up their findings in manuscripts. In so doing, they built the school’s massive collection of written materials, which by ancient accounts was credited as one of the first great libraries.

In the same year that Aristotle opened the Lyceum, his wife Pythias died. Soon after, Aristotle embarked on a romance with a woman named Herpyllis, who hailed from his hometown of Stagira. According to some historians, Herpyllis may have been Aristotle’s slave, granted to him by the Macedonia court. They presume that he eventually freed and married her. Regardless, it is known that Herpyllis bore Aristotle children, including one son named Nicomachus, after Aristotle’s father. Aristotle is believed to have named his famed philosophical work Nicomachean Ethics in tribute to his son.

When Aristotle’s former student Alexander the Great died suddenly in 323 B.C., the pro-Macedonian government was overthrown, and in light of anti-Macedonia sentiment, Aristotle was charge with impiety. To avoid being prosecuted, he left Athens and fled to Chalcis on the island of Euboea, where he would remain until his death.

Science

Although Aristotle was not technically a scientist by today’s definitions, science was among the subjects that he researched at length during his time at the Lyceum. Aristotle believed that knowledge could be obtained through interacting with physical objects. He concluded that objects were made up of a potential that circumstances then manipulated to determine the object’s outcome. He also recognized that human interpretation and personal associations played a role in our understanding of those objects.

Aristotle’s research in the sciences included a study of biology. He attempted, with some error, to classify animals into genera based on their similar characteristics. He further classified animals into species based on those that had red blood and those that did not. The animals with red blood were mostly vertebrates, while the “bloodless” animals were labeled cephalopods. Despite the relative inaccuracy of his hypothesis, Aristotle’s classification was regarded as the standard system for hundreds of years.

Marine biology was also an area of fascination for Aristotle. Through dissection, he closely examined the anatomy of marine creatures. In contrast to his biological classifications, his observations of marine life, as expressed in his books, are considerably more accurate.

As evidenced in his treatise Meteorology, Aristotle also dabbled in the earth sciences. By meteorology, Aristotle didn’t simply mean the study of weather. His more expansive definition of meteorology included “all the affectations we may call common to air and water, and the kinds and parts of the earth and the affectations of its parts.” In Meteorology, Aristotle identified the water cycle and discussed topics ranging from natural disasters to astrological events. Although many of his views on the Earth were controversial at the time, they were readopted and popularized during the late Middle Ages.

Philosophy

One of the main focuses of Aristotle’s philosophy was his systematic concept of logic. Aristotle’s objective was to come up with a universal process of reasoning that would allow man to learn every conceivable thing about reality. The initial process involved describing objects based on their characteristics, states of being and actions. In his philosophical treatises, Aristotle also discussed how man might next obtain information about objects through deduction and inference. To Aristotle, a deduction was a reasonable argument in which “when certain things are laid down, something else follows out of necessity in virtue of their being so.” His theory of deduction is the basis of what philosophers now call a syllogism, a logical argument where the conclusion is inferred from two or more other premises of a certain form.

In his book Prior Analytics, Aristotle explains the syllogism as “a discourse in which, certain things having been supposed, something different from the things supposed results of necessity because these things are so.” Aristotle defined the main components of reasoning in terms of inclusive and exclusive relationships. These sorts of relationships were visually grafted in the future through the use of Venn diagrams.

Aristotle’s philosophy not only provided man with a system of reasoning, but also touched upon ethics. In Nichomachean Ethics, he prescribed a moral code of conduct for what he called “good living.” He asserted that good living to some degree defied the more restrictive laws of logic, since the real world poses circumstances that can present a conflict of personal values. That said, it was up to the individual to reason cautiously while developing his or her own judgment.

Pythagoras

(c. 570—c. 495 B.C.E)

The pre-Socratic Greek philosopher Pythagoras must have been one of the world's greatest persons, but he wrote nothing, and it is hard to say how much of the doctrine we know as Pythagorean is due to the founder of the society and how much is later development. It is also hard to say how much of what we are told about the life of Pythagoras is trustworthy; for a mass of legend gathered around his name at an early date. Sometimes he is represented as a man of science, and sometimes as a preacher of mystic doctrines, and we might be tempted to regard one or other of those characters as alone historical. The truth is that there is no need to reject either of the traditional views. The union of mathematical genius and mysticism is common enough. Originally from Samos, Pythagoras founded at Kroton (in southern Italy) a society which was at once a religious community and a scientific school. Such a body was bound to excite jealousy and mistrust, and we hear of many struggles. Pythagoras himself had to flee from Kroton to Metapontion, where he died.

It is stated that he was a disciple of Anaximander, his astronomy was the natural development of Anaximander's. Also, the way in which the Pythagorean geometry developed also bears witness to its descent from that of Miletos. The great problem at this date was the duplication of the square, a problem which gave rise to the theorem of the square on the hypotenuse, commonly known still as the Pythagorean proposition (Euclid, I. 47). If we were right in assuming that Thales worked with the old 3:4:5 triangle, the connection is obvious.

Pythagoras argued that there are three kinds of men, just as there are three classes of strangers who come to the Olympic Games. The lowest consists of those who come to buy and sell, and next above them are those who come to compete. Best of all are those who simply come to look on. Men may be classified accordingly as lovers of wisdom, lovers of honor, and lovers of gain. That seems to imply the doctrine of the tripartite soul, which is also attributed to the early Pythagoreans on good authority, though it is common now to ascribe it to Plato. There are, however, clear references to it before his time, and it agrees much better with the general outlook of the Pythagoreans. The comparison of human life to a gathering like the Games was often repeated in later days. Pythagoras also taught the doctrine of Rebirth or transmigration, which we may have learned from the contemporary Orphics. Xenophanes made fun of him for pretending to recognize the voice of a departed friend in the howls of a beaten dog. Empedocles seems to be referring to him when he speaks of a man who could remember what happened ten or twenty generations before. It was on this that the doctrine of Recollection, which plays so great a part in Plato, was based. The things we perceive with the senses, Plato argues, remind us of things we knew when the soul was out of the body and could perceive reality directly.

There is more difficulty about the cosmology of Pythagoras. Hardly any school ever professed such reverence for its founder's authority as the Pythagoreans. 'The Master said so' was their watchword. On the other hand, few schools have shown so much capacity for progress and for adapting themselves to new conditions. Pythagoras started from the cosmical system of Anaximenes. Aristotle tells us that the Pythagoreans represented the world as inhaling 'air' form the boundless mass outside it, and this 'air' is identified with 'the unlimited'. When, however, we come to the process by which things are developed out of the 'unlimited', we observe a great change. We hear nothing more of 'separating out' or even of rarefaction and condensation. Instead of that we have the theory that what gives form to the Unlimited is the Limit. That is the great contribution of Pythagoras to philosophy, and we must try to understand it. Now the function of the Limit is usually illustrated from the arts of music and medicine, and we have seen how important these two arts were for Pythagoreans, so it is natural to infer that the key to its meaning is to be found in them.

It may be taken as certain that Pythagoras himself discovered the numerical ratios which determine the concordant intervals of the musical scale. Similar to musical intervals, in medicine there are opposites, such as the hot and the cold, the wet and the dry, and it is the business of the physician to produce a proper 'blend' of these in the human body. In a well-known passage of Plato's Phaedo (86 b) we are told by Simmias that the Pythagoreans held the body to be strung like an instrument to a certain pitch, hot and cold, wet and dry taking the place of high and low in music. Musical tuning and health are alike means arising from the application of Limit to the Unlimited. It was natural for Pythagoras to look for something of the same kind in the world at large. Briefly stated, the doctrine of Pythagoras was that all things are numbers. In certain fundamental cases, the early Pythagoreans represented numbers and explained their properties by means of dots arranged in certain 'figures' or patterns.

The Consolations of Seneca

Introduction

Seneca’s three Consolatory works, De Consolatione ad Marciam, De Consolatione ad Polybium, and De Consolatione ad Helviam Matrem, were all constructed in the Consolatio Literary Tradition, dating back to the fifth century BC. The Consolations are part of Seneca’s Treatises, commonly called Dialogues, or Dialogi. These works clearly contain essential principles of Seneca’s Stoic teachings. Although they are personal addresses of Seneca, these works are written more like essays than personal letter of consolation. Furthermore, although each essay is particular in its address of consolation, the tone of these works is notably detached. Seneca seems more preoccupied with presenting facts of the universe and the human condition instead of offering solace. This detachment may be a result of Seneca’s attempt to gain favor and contrive a return from exile through these Consolatio works, instead of merely offering a friendly hand of comfort.

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What greater pain is there than seeing one’s own mother in distress?

This is exactly what compelled Seneca—Roman philosopher, statesman, and a man of letters—to write a letter to his mother, Helvius, during his exile for allegedly having an affair with Julia Livilla, sister of Emperor Caligula. For the next eight years he spent his life on the island Corsica, just off the coast of France. While in exile, Seneca lost his father, his son, and his wife. The only solace in this prison of loneliness and despair was to write poems and letters to friends and family. It is in these letters that we see not a man who surrendered due to his treacherous circumstances, but a man who exercised the principles of Stoicism to safeguard and facilitate the tranquility of his mind.

While many of his letters are written for consolation, they read like essays that focus not on the advice we want to hear, but reminders of what we need to hear. He was the one in exile, yet he was the one comforting others outside of it. It is in these letters that he offers his understanding of human nature, adversity, and our unquestionable power to overcome it with the aid of philosophy.

Seneca’s letter to his mother does just this; he asks her to address her own grief and look at it with a philosophical and Stoic mind to move past it and not become crippled by it.

Human, All Too Human, by Friedrich Nietzsche

Introduction

Human, All Too Human: A Book for Free Spirits  is a book by 19th-century philosopher Friedrich Nietzsche, originally published in 1878. A second part, Assorted Opinions and Maxims, was published in 1879, and a third part, The Wanderer and his Shadow, followed in 1880.

The book is Nietzsche's first in the aphoristic style that would come to dominate his writings, discussing a variety of concepts in short paragraphs or sayings. Reflecting an admiration of Voltaire as a free thinker, but also a break in his friendship with composer Richard Wagner two years earlier, Nietzsche dedicated the original 1878 edition of Human, All Too Human “to the memory of Voltaire on the celebration of the anniversary of his death, May 30, 1778.” Instead of a preface, the first part originally included a quotation from Descartes's Discourse on the Method. Nietzsche later republished all three parts as a two-volume edition in 1886, adding a preface to each volume, and removing the Descartes quote as well as the dedication to Voltaire.

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Preface

1.

Human, all—too—Human with its two sequels is the memorial of a crisis. It is called a book for free spirits: almost every sentence in it is the expression of a triumph—by means of it I purged myself of everything in me which was foreign to my nature. Idealism is foreign to me: the title of the book means: "Where you see ideal things, I see— human, alas! All too human things”! I know humanity better. The expression "free spirit” in this book must not be understood as anything other than a spirit that has become free, that has once more taken possession of itself. The tone the pitch of the voice has completely changed; the book will be thought wise, cool and at times both harsh and scornful. A certain spirituality of noble taste seems to be ever struggling to dominate a passionate undercurrent. In this respect there is some sense in the fact that it was the hundredth anniversary of Voltaire’s death that served so to speak as an excuse for the publication of the book in 1878. For Voltaire, in contrast to everyone who wrote after him was above all a grandee of the spirit: precisely what I am also. The name of Voltaire on one of my writings—that was truly a step forward—towards myself. Looking into this book a little more closely you discover a merciless spirit who knows all the secret hiding places in which ideals can be found—where they find their dungeons and as it were their last refuge. With a torch in my hand, the light of which is not by any means a flickering one, I illuminate this underworld of ideals with beams that pierce the gloom. It is war, but a war without powder and smoke, without warlike attitudes, without pathos and contorted limbs—all these things would still be "idealism”. One error after the other is quietly laid on ice; the ideal is not refuted—it freezes. Here for instance "the genius” freezes; round the corner "the saint” freezes; under a thick icicle "the hero” freezes; and in the end "faith” itself freezes. So-called "conviction” and also "pity” are considerably cooled—and almost everywhere the "thing in itself” is freezing to death.

2.

This book was begun during the first musical festival at Bayreuth; a feeling of profound estrangement from everything that surrounded me is one of the works first conditions. Anyone who has any notion of the visions which flitted across my path will be able to guess what I felt when one day I came to my senses in Bayreuth. It was just as if I had been dreaming. Where on earth was I? I recognized nothing that I saw; I scarcely recognized Wagner. It was in vain that I called up reminiscences. Tribschen—remote island of bliss: not the shadow of a resemblance! The incomparable days devoted to the laying of the foundation stone, the small group of the initiated who celebrated them and who were far from lacking hands for the handling of delicate things: not the shadow of a resemblance! What had happened? Wagner had been translated into German! The Wagnerian had become master of Wagner! German art! The German master! German beer! We who know only too well the kind of refined artists and cosmopolitanism in taste to which alone Wagner’s art can appeal were beside ourselves at the sight of Wagner bedecked with German "virtue”. I think I know the Wagnerian, I have experienced three generations of them, from the late Brendel who confounded Wagner with Hegel to the "idealists” of the Bayreuth Gazette who confound Wagner with themselves—I have been the recipient of every kind of confession about Wagner from ‘beautiful souls”. I would give an entire kingdom for just one intelligent word! Truly blood-curdling company! Nohl Pohl and Kohl and others of their like to infinity! There was not a single abortion that was lacking among them—no, not even the anti-Semite—Poor Wagner! Into whose hands had he fallen? Better for him to have gone amongst swine! But among Germans! Some day for the edification of posterity one ought really to have a genuine Bayreuther stuffed or better still preserved in spirit—for it is precisely spirit that is lacking in this quarter—with this inscription at the foot of the jar: "A sample of the spirit whereon the German Empire was founded”. But enough! In the middle of the festivities I suddenly packed my trunk and left the place for a few weeks despite the fact that a charming Parisian lady sought to comfort me; I excused myself to Wagner simply by means of a fatalistic telegram. In a little spot called Klingenbrunn deeply buried in the recesses of the Bohemian forest I carried my melancholy and my contempt of Germans about with me like an illness—and from time to time, under the general title of "The Ploughshare” I wrote a sentence or two down in my notebook, nothing but severe psychological stuff which it is possible may have found its way into Human, all—too—Human.